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	<title>Post Pop Pulp Magazine &#187; Umberto Kidman</title>
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	<link>http://www.postpoppulp.org/magazine</link>
	<description>Speculative Fiction Pulp Mag</description>
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		<title>StudyMe</title>
		<link>http://www.postpoppulp.org/magazine/author/umberto-kidman/94/studyme</link>
		<comments>http://www.postpoppulp.org/magazine/author/umberto-kidman/94/studyme#comments</comments>
		<pubDate>Tue, 11 Sep 2001 14:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Stories]]></category>
		<category><![CDATA[Umberto Kidman]]></category>

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		<description><![CDATA[Well Researched, too well researched&#8230; Jane shut the heavy tome with a sigh, falling back into the comfortable chair. Exhaustion plagued her eyes, leaking backwards into her brain, causing the room to unfocus. It had been almost two days now; she hadn?t been able to put it down. It was gripping, positively fascinating. Shed never [...]]]></description>
			<content:encoded><![CDATA[<p><i>Well</p>
<p>Researched, too well researched&#8230;</i>
<p CLASS="first-line-indent">Jane</p>
<p>shut the heavy tome with a sigh,<br />
falling back into the comfortable chair. Exhaustion</p>
<p>plagued her eyes,<br />
leaking backwards into her brain, causing the room to unfocus. It</p>
<p>had<br />
been almost two days now; she hadn?t been able to put it down.<br />
It was gripping,</p>
<p>positively fascinating. Shed never come across<br />
anything like it, at least not since</p>
<p>graduate school. Was it twelfth<br />
century Italian? Jennifer, the student intern, was</p>
<p>supposed to see to<br />
that, but she hadn?t answered her calls, hadn?t shown up to<br />
work</p>
<p>for a week&#8230; Jane supposed she had dropped out like most<br />
interns did, when they</p>
<p>realized that work out in the real world<br />
without pay was no fun. ?fun?? she remembered</p>
<p>a<br />
conversation with her aging mother, alone in a tiny cramped hospital<br />
bed. ?why, i</p>
<p>cant seem to remember fun&#8230;? sure, she had<br />
been senile, but, like certain children?s</p>
<p>truths, disturbingly<br />
accurate.</p>
<p CLASS="first-line-indent">The phone rang; it</p>
<p>was late. Who could<br />
be calling at this hour? Her agent?s voice rang in her</p>
<p>ear,<br />
wanting to know when he could expect another chapter. A violent<br />
insomniac.</p>
<p>But, that was part of what made him one of the best.</p>
<p>?look, Jerry, i told you,</p>
<p>i?m going as fast as i can&#8230;?<br />
 she protested, listening to his squawking</p>
<p>insistence?s. It<br />
wasn?t all his fault for being such a nag; the research seemed<br />
to</p>
<p>have spread, taken on a life of its own. But the scholar in her<br />
was louder than his</p>
<p>threats of abandonment: it wouldn?t let her<br />
cut, it wouldn?t let her outline or</p>
<p>summarize. Perhaps it had<br />
been stupid to attempt such a generalized topic. But</p>
<p>historical<br />
revisionism was an important phenomena, she thought, possibly one of<br />
the</p>
<p>most important for the twentieth century.</p>
<p CLASS="first-line-indent">Reaching a</p>
<p>temporary truce, she hung up,<br />
returning to the book.  It was a kind of early medical</p>
<p>text, a<br />
precursor to modern psychology. There were many occult references,<br />
typical</p>
<p>of the time period. The interesting thing was that it dealt<br />
with various forms of</p>
<p>psychosis. It was one thing for an<br />
anthropologist to dig up old, dead bones but</p>
<p>another world entirely<br />
for the anthropologist of culture. Psychology certainly had a</p>
<p>close<br />
relationship with historical reclamation movements, especially in the<br />
sixties</p>
<p>when leading feminists turned to Freud and Jung as<br />
methodologists for a</p>
<p>quasi-empirical activist reclamation of a<br />
historical minority. But the archaic</p>
<p>language of this text dealt with<br />
astrological terms, and alchemical transformations&#8230;</p>
<p>it was<br />
important not to interpret them too metaphorically. Rubbing her eyes,<br />
she</p>
<p>glanced at the clock and yawned. Carefully storing the valuable<br />
book in her locked</p>
<p>drawer, she turned the lights off. Her vision<br />
played tricks on her, a ghost image of</p>
<p>the room floated in the<br />
blackness. She blinked, annoyed, but it wouldn?t go away</p>
<p>until<br />
she was in the bright hallway. She bid goodnight to the guard and<br />
walked out</p>
<p>into the cool night air.</p>
<p CLASS="first-line-indent">The light wind chilled her</p>
<p>as she<br />
walked, looking for a taxi. She shivered, pulling her coat tighter<br />
around</p>
<p>her. The words and images of the old Italian tome whirled in<br />
her tired brain. She</p>
<p>frowned, annoyed. Why couldn?t she find a<br />
taxi?? they were usually swarming around&#8230;</p>
<p>she checked her watch<br />
again, she had forgotten how late it was.</p>
<p</p>
<p>CLASS="first-line-indent">She started to walk home, since it was<br />
in the direction of</p>
<p>one of the main avenues. Even in a city of three<br />
million people, there were still side</p>
<p>streets which lay deserted and<br />
calm, left behind by the main flow of traffic. A</p>
<p>strangely dressed<br />
man huddled atop a vent, trying to sleep. She increased her</p>
<p>pace.<br />
Something from the book popped into her mind, one of the passages</p>
<p>of<br />
alchemical interpretation. She wondered if she had translated it<br />
correctly&#8230;</p>
<p>the distraction of the senses, or was it diffusion?</p>
<p</p>
<p>CLASS="first-line-indent">The idea that historical revisionism<br />
could somehow be linked</p>
<p>to early theories of mass hallucination<br />
rituals was very interesting to her. It might</p>
<p>even be a good way to<br />
organize the scheme of the book, though she winced, imagining</p>
<p>how the<br />
critics might also have a field day with it&#8230; perhaps it was too<br />
risky&#8230;</p>
<p>if she could track down at least some more relevant<br />
material. Damn, she swore to</p>
<p>herself, remembering. If Jennifer was<br />
this flaky, she?d have to find another intern.</p>
<p>She watched the<br />
deadline receding into the future. Turning at the corner of</p>
<p>Broadway,<br />
she came up short with a small yelp.</p>
<p>?Scuse me, ma?am, dint mean</p>
<p>to scare ya..? a tall<br />
rag-dressed man spoke, sending a cloud of alcohol fumes at her.</p>
<p>She<br />
said nothing, but calmly moved to step past him, when he moved in<br />
front of her,</p>
<p>leering with a toothless grin. Damn him, she thought,<br />
he was playing with me. Turning,</p>
<p>she surveyed the empty streets for<br />
any signs of life or cars&#8230; nothing.</p>
<p>?I</p>
<p>aint gonta hurtcha ma?am, i was jus wonderin if you<br />
could spare some change for a poor</p>
<p>bum like me, out on the streets on<br />
sucha cold night&#8230;? he said, making a puppydog</p>
<p>face. It looked<br />
more like an experiment gone wrong, Jane thought, his crooked,</p>
<p>gapped<br />
teeth and raw weathered face. She took a step back, searching in her<br />
purse.</p>
<p>?thank you very much, ma?am,? he bowed as she<br />
dropped a quarter in his grimy palm. ?it</p>
<p>wont be forgotten.?<br />
she walked past him, turning to look for cars&#8230; but he</p>
<p>wasn?t<br />
there. Confused, she looked around&#8230; the nearest building was a good<br />
twenty</p>
<p>feet away. Shaking her head, she continued walking, keeping an<br />
ear peeled for traffic.</p>
<p>It was surprisingly deserted out.</p>
<p CLASS="first-line-indent">When she was in</p>
<p>graduate school, shed<br />
volunteered a at a homeless shelter, helping out with the soup</p>
<p>and<br />
paperwork. It had been an important time in her life, dealing with<br />
all the</p>
<p>problems of a non-profit organization&#8230; large corporations<br />
all seemed to have</p>
<p>incredibly complex criteria for giving away<br />
pennies to charity. And dealing with a</p>
<p>group of paranoid, troubled<br />
people was no easy task in itself. Each case was</p>
<p>different, each<br />
person had their own variety of troubles, which seemed to build</p>
<p>and<br />
coalesce into a living, writhing impenetrable mass. The politics of<br />
difference</p>
<p>which had arisen had many of the same problems as<br />
mid-century existentialist</p>
<p>humanism&#8230; the difficulty was in getting<br />
everyone to work towards a common human</p>
<p>goal, while stressing the<br />
equal importance of maintaining a variety of such goals.</p>
<p>Only in a<br />
perfectly organized situation could the task be attempted, and,</p>
<p>she<br />
smiled wryly to herself, remembering her past, that was playing right<br />
into the</p>
<p>hands of the very power structures she was working to<br />
change.</p>
<p</p>
<p>CLASS="first-line-indent">Lost in her thoughts, she realized she<br />
was almost home.</p>
<p>There was something nice about walking so late, she<br />
thought, although it wasn?t a</p>
<p>habit she wanted to keep. It was<br />
far too dangerous in the city. Eventually, she made</p>
<p>it to her bed,<br />
collapsing, welcoming the sleep.</p>
<div align=right><i>&#8230;</p>
<p>to be continued!</i></div></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Schnitzler &#8216;s Schnitzel</title>
		<link>http://www.postpoppulp.org/magazine/book/398/schnitzler-s-schnitzel</link>
		<comments>http://www.postpoppulp.org/magazine/book/398/schnitzler-s-schnitzel#comments</comments>
		<pubDate>Fri, 07 Feb 1992 12:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Pure Pulp]]></category>
		<category><![CDATA[Umberto Kidman]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/398/schnitzler-s-schnitzel</guid>
		<description><![CDATA[Umberto Kidman Schnitzler &#8216;s Schnitzel Publisher: Metapatter Press Year Published: 1992 Bibliography Information and notes: &#8220;A fictional work detailing Austrian Author Arthur Schnitzle, whose work forms the basis for Stanely Kubricks last film, Eyes Wide Shut&#8220;]]></description>
			<content:encoded><![CDATA[<h2>Umberto Kidman</h2>
<h1>Schnitzler &#8216;s Schnitzel</h1>
<p> Publisher: <i><b>Metapatter Press</b></i></p>
<p>Year Published: <i><b>1992</b></i></p>
<p>Bibliography Information and notes: &#8220;<i><b>A fictional work detailing Austrian Author Arthur Schnitzle, whose work forms the basis for Stanely Kubricks last film, Eyes Wide Shut<b></i>&#8220;</p>
]]></content:encoded>
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