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	<title>Post Pop Pulp Magazine &#187; Next Philip K Dick The Golden Man vs. Crappy Love Story</title>
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	<link>http://www.postpoppulp.org/magazine</link>
	<description>Speculative Fiction Pulp Mag</description>
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		<title>We can see two minutes into the future&#8230; and the plot dies!</title>
		<link>http://www.postpoppulp.org/magazine/editorial/51/the-plot-dies</link>
		<comments>http://www.postpoppulp.org/magazine/editorial/51/the-plot-dies#comments</comments>
		<pubDate>Fri, 09 May 2008 23:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/51/we-can-see-two-minutes-into-the-future-and-the-plot-dies</guid>
		<description><![CDATA[In which a beautiful short story is massacred by the Blackshirt Psychic Scripthacks In honor of the time-honoured, continuing rampant destruction of the short stories of philip k dick into monetizable formats, we supply here in this issue merely old trite texts, cut up and butchered. And furthermore, we review them! Our helpful computer program [...]]]></description>
			<content:encoded><![CDATA[<p><em>In which a beautiful short story is massacred by the Blackshirt Psychic Scripthacks</em></p>
<p>In honor of the time-honoured, continuing rampant destruction of the short stories of philip k dick into monetizable formats, we supply here in this issue merely old trite texts, cut up and butchered. And furthermore, we review them! Our helpful computer program the StoryAnalytiker007, thanx to the recent invention of the <a title="what are memristors" href="http://www.memristor.org/reference/research/13/what-are-memristors">memristor</a>, has fully parsed these texts and filtered out anything that might contribute to any kind of narrative that the general public as designed into being by Hollywood Demographers and Scribes of Culture, leaving us only those fragmentary bits and pieces of text which somehow escape such astringent massaging, might reject. This is known amongst alternative and transgressive revolutionary filmmakers as the &#8220;anti-cut&#8221;, so designated by the Bernstein Brothers in the early 1990, and put into practice by such video artists as bruce nauman, chris marker, and <a title="Otterness Art" href="http://procuniarworkshop.com/art-by/kjell-otterness/otterness-sculpture-great-american-home-corne-335.html" target="_BLANK">Otterness sculpture</a>, but NOT bill viola. please. we know our art. Anyway, in NEXT, the hack that The Golden Man is being made into, we are treated not to the Bureau of Mutant Destroyers, but rather the FBI. Nicholas cage is part producer, part Form Destroyer, part <a href="http://aktracker.com/skynet/disaster/218/how-to-survive-a-stock-market-selloff-panic-financial-depression" title="survive worldwide financial depression">worldwide financial depression</a>, as he works with Todd Garner to remake the whole thing. However, that said, what the hell. We all bought our IMAX 7D  tickets here at the offices of PostpOpPuLP. Theres still a ton of Philip K Dick out there and it would take a lifetime to convert into eyecandy. So go for it, we say.. blaze the glory!</p>
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		<title>When the Man Schemes</title>
		<link>http://www.postpoppulp.org/magazine/genre/science-fiction/549/when-the-man-schemes</link>
		<comments>http://www.postpoppulp.org/magazine/genre/science-fiction/549/when-the-man-schemes#comments</comments>
		<pubDate>Fri, 09 May 2008 21:36:24 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[K. Dick Gibson]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/?p=549</guid>
		<description><![CDATA[Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, S.C. Best of all I like to hear him tell of his earlier days when he sold liniments and cough cures on street corners, living hand to mouth, heart to heart with the people, [...]]]></description>
			<content:encoded><![CDATA[<p>Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, S.C. Best of all I like to hear him tell of his earlier days when he sold liniments and cough cures on street corners, living hand to mouth, heart to heart with the people, throwing heads or tails with fortune for his last coin. In the evening when the wind had dropped a little, they went out on the groyne to see the steamer come in. There were a great many people walking about the harbour; they had gathered to welcome some one, bringing bouquets. And two peculiarities of a well-dressed Yalta crowd were very conspicuous: the elderly ladies were dressed like young ones, and there were great numbers of generals. Owing to the roughness of the sea, the steamer arrived late, after the sun had set, and it was a long time turning about before it reached the groyne. Anna Sergeyevna looked through her lorgnette at the steamer and the passengers as though looking for acquaintances, and when she turned to Gurov her eyes were shining. She talked a great deal and asked disconnected questions, forgetting next moment what she had asked; then she dropped her lorgnette in the crush. The festive crowd began to disperse; it was too dark to see people&#8217;s faces. The wind had completely dropped, but Jeff and Anna Sergeyevna still stood as though waiting to see some one else come from the steamer. Anna Sergeyevna was silent now, and sniffed the flowers without looking at Peters. Jeff had to fill the silence, but specifics eluded him: he began on a wandering tangent. &#8220;One morning me and Andy wakes up with sixty-eight cents between us in a yellow pine hotel on the edge of the pre-digested hoe-cake belt of Southern Indiana. How we got off the train there the night before I can&#8217;t tell you; for she went through the village so fast that what looked like a saloon to us through the car window turned out to be a composite view of a drug store and a water tank two blocks apart. Why we got off at the first station we could, belongs to a little oroide gold watch and Alaska diamond deal we failed to pull off the day before, over the Kentucky line. When I woke up I heard roosters crowing, and smelt something like the fumes of nitro-muriatic acid, and heard something heavy fall on the floor below us, and a man swearing.&#8221; &#8220;Cheer up, Jeff,&#8217; said Anna. &#8220;Were in a rural community. Somebody has just tested a gold brick downstairs. Well go out and get whats coming to us from a farmer; and then yoicks! and away!&#8221; &#8220;You are so full of life, Anna Sergeyevna&#8230;&#8221; Peters said quietly. &#8220;Its wrong,&#8221; she answered. &#8220;You will be the first to despise me now.&#8221; There was a water-melon on the table. Jeff cut himself a slice and began eating it without haste. There followed at least half an hour of silence.</p>
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		<title>The Golden Graft</title>
		<link>http://www.postpoppulp.org/magazine/author/philip-stephen/548/the-golden-graft</link>
		<comments>http://www.postpoppulp.org/magazine/author/philip-stephen/548/the-golden-graft#comments</comments>
		<pubDate>Fri, 09 May 2008 21:34:49 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Philip Stephen]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/?p=548</guid>
		<description><![CDATA[It was almost the same with James Magedevitch Tiptree. He worked from morning till night, was always in a hurry, was irritable, and flew into rages, but all of this was in a sort of spellbound dream. It seemed as though there were two men in him: one was the real Jeff Peters, who was [...]]]></description>
			<content:encoded><![CDATA[<p>It was almost the same with James Magedevitch Tiptree. He worked from morning till night, was always in a hurry, was irritable, and flew into rages, but all of this was in a sort of spellbound dream. It seemed as though there were two men in him: one was the real Jeff Peters, who was moved to indignation, and clutched his head in despair when he heard of some irregularity from Ivan Muscovy the gardener; and another&#8211;not the real one&#8211;who seemed as though he were half drunk, would interrupt a business conversation at half a word, touch the gardener on the shoulder, and begin muttering: &#8220;Say what you like, there is a great deal in blood. His mother was a wonderful woman, most high-minded and intelligent. It was a pleasure to look at her good, candid, pure face; it was like the face of an angel. She drew splendidly, wrote verses, spoke five foreign languages, sang. . . . Poor thing! she died of consumption. The Kingdom of Heaven be hers.&#8221; The unreal James Magedevitch Tiptree sighed, and after a pause went on: &#8220;&#8216;Well, Jeff,&#8221; he said, &#8220;it looks like the ravens are trying to feed us two Elijahs so hard that if we turned em down again we ought to have the Audubon Society after us. It wont do to put the crown aside too often. I know this is something like paternalism, but dont you think Opportunity has skinned its knuckles about enough knocking at our door?&#8221; James put his feet up on the table and his hands in his pockets, which is an attitude unfavorable to frivolous thoughts. &#8220;Jeff,&#8221; he continued, &#8220;this man with the hirsute whiskers has got us in a predicament. We can&#8217;t move hand or foot with his money. You and me have got a gentleman&#8217;s agreement with Fortune that we can&#8217;t break. We&#8217;ve done business in the West where it&#8217;s more of a fair game. Out there the people we skin are trying to skin us, even the farmers and the remittance men that the magazines send out to write up Goldfields. But there&#8217;s little sport in New York city for rod, reel or gun. They hunt here with either one of two things&#8211;a slungshot or a letter of introduction. The town has been stocked so full of carp that the game fish are all gone. If you spread a net here, do you catch legitimate suckers in it, such as the Lord intended to be caught&#8211;fresh guys who know it all, sports with a little coin and the nerve to play another man&#8217;s game, street crowds out for the fun of dropping a dollar or two and village smarties who know just where the little pea is? No, sir,&#8221; said James. &#8220;What the grafters live on here is widows and orphans, and foreigners who save up a bag of money and hand it out over the first counter they see with an iron railing to it, and factory girls and little shopkeepers that never leave the block they do business on. Thats what they call suckers here. Theyre nothing but canned sardines, and all the bait you need to catch em is a pocketknife and a soda cracker.&#8221; But at this point the real Jeff Peters, suddenly coming to himself, would make a terrible face, would clutch his head and cry: &#8220;The devils! They have spoilt everything! They have ruined everything! They have spoilt everything! The gardens done for, the gardens ruined!&#8221; &#8220;Been having a glorious time, Mr. Peters,&#8217; said James. &#8220;Took in all the sights. I tell you New York is the onliest only. Now if you dont mind,&#8221; he squawked, &#8220;Ill lie down on that couch and doze off for about nine minutes before Mr. Yancy comes. Im not used to being up all night. And to-morrow, if you don&#8217;t mind, Mr. Peters, Ill take that five thousand. I met a man last night thats got a sure winner at the racetrack to-morrow. Excuse me for being so impolite as to go to sleep, Mr. Peters.&#8221; And off to sleep he went.</p>
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		<title>Bitten by the Golden Bant</title>
		<link>http://www.postpoppulp.org/magazine/author/brooke-m-shields/108/bitten-by-the-golden-bant</link>
		<comments>http://www.postpoppulp.org/magazine/author/brooke-m-shields/108/bitten-by-the-golden-bant#comments</comments>
		<pubDate>Sun, 10 Dec 2006 13:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Brooke M. Shields]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/108/bitten-by-the-golden-bant</guid>
		<description><![CDATA[Love in discovered in Yalta IT was said that a new person had appeared on the sea-front: a lady with a little dog. Andy Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney&#8217;s pavilion, he [...]]]></description>
			<content:encoded><![CDATA[<p><em>Love in discovered in Yalta</em></p>
<p>IT was said that a new person had appeared on the sea-front: a lady<br />
with a little dog. Andy Gurov, who had by then been a<br />
fortnight at Yalta, and so was fairly at home there, had begun to<br />
take an interest in new arrivals. Sitting in Verney&#8217;s pavilion, he<br />
saw, walking on the sea-front, a fair-haired young lady of medium<br />
height, wearing a beret; a white Pomeranian dog was running behind<br />
her.</p>
<p>And afterwards he met her in the public gardens and in the square<br />
several times a day. She was walking alone, always wearing the same<br />
beret, and always with the same white dog; no one knew who she<br />
was, and every one called her simply &#8220;the lady with the dog.&#8221;</p>
<p>&#8220;If she is here alone without a husband or friends, it wouldn&#8217;t be<br />
amiss to make her acquaintance,&#8221; Andy reflected.</p>
<p>He was under forty, but he had a daughter already twelve years old,<br />
and two sons at school. He had been married young, when he was a<br />
student in his second year, and by now his wife seemed half as old<br />
again as he. She was a tall, erect woman with dark eyebrows, staid<br />
and dignified, and, as she said of herself, intellectual. She read<br />
a great deal, used phonetic spelling, called her husband, not Dmitri,<br />
but Dimitri, and he secretly considered her unintelligent, narrow,<br />
inelegant, was afraid of her, and did not like to be at home. He<br />
had begun being unfaithful to her long ago&#8211;had been unfaithful<br />
to her often, and, probably on that account, almost always spoke<br />
ill of women, and when they were talked about in his presence, used<br />
to call them &#8220;the lower race.&#8221;</p>
<p>It seemed to him that he had been so schooled by bitter experience<br />
that he might call them what he liked, and yet he could not get on<br />
for two days together without &#8220;the lower race.&#8221; In the society of<br />
men he was bored and not himself, with them he was cold and<br />
uncommunicative; but when he was in the company of women he felt<br />
free, and knew what to say to them and how to behave; and he was<br />
at ease with them even when he was silent. In his appearance, in<br />
his character, in his whole nature, there was something attractive<br />
and elusive which allured women and disposed them in his favour;<br />
he knew that, and some force seemed to draw him, too, to them.</p>
<p>Experience often repeated, truly bitter experience, had taught him<br />
long ago that with decent people, especially Moscow people&#8211;always<br />
slow to move and irresolute&#8211;every intimacy, which at first so<br />
agreeably diversifies life and appears a light and charming adventure,<br />
inevitably grows into a regular problem of extreme intricacy, and<br />
in the long run the situation becomes unbearable. But at every fresh<br />
meeting with an interesting woman this experience seemed to slip<br />
out of his memory, and he was eager for life, and everything seemed<br />
simple and amusing.</p>
<p>One evening he was dining in the gardens, and the lady in the beret<br />
came up slowly to take the next table. Her expression, her gait,<br />
her dress, and the way she did her hair told him that she was a<br />
lady, that she was married, that she was in Yalta for the first<br />
time and alone, and that she was dull there. . . . The stories told<br />
of the immorality in such places as Yalta are to a great extent<br />
untrue; he despised them, and knew that such stories were for the<br />
most part made up by persons who would themselves have been glad<br />
to sin if they had been able; but when the lady sat down at the<br />
next table three paces from him, he remembered these tales of easy<br />
conquests, of trips to the mountains, and the tempting thought of<br />
a swift, fleeting love affair, a romance with an unknown woman,<br />
whose name he did not know, suddenly took possession of him.</p>
<p>Andy was especial inroaded by self-esteem at our success, the<br />
rudiments of the scheme having originated in his own surmises and<br />
premonitions. He got off the safe and lit the biggest cigar in the<br />
house.</p>
<p>&#8220;Jeff,&#8221; says he, &#8220;I dont suppose that anywhere in the world you<br />
could find three cormorants with brighter ideas about down-treading<br />
the proletariat than the firm of Peters, Satan and Tucker,<br />
incorporated. We have sure handed the small consumer a giant blow in<br />
the sole apoplectic region. No?&#8221;</p>
<p>&#8220;Well,&#8221; says I, &#8220;it does look as if we would have to take up<br />
gastritis and golf or be measured for kilts in spite of ourselves.<br />
This little turn in bug juice is, verily, all to the Skibo. And I can<br />
stand it,&#8221; says I, &#8220;Id rather batten than bant any day.&#8221;</p>
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		<title>Artificial Poetry And Intelligence: Steve Ridley Talks with Scott Spielberg</title>
		<link>http://www.postpoppulp.org/magazine/interviews/57/artificial-poetry-and-intelligence-steve-ridley-talks-with-scott-spielberg</link>
		<comments>http://www.postpoppulp.org/magazine/interviews/57/artificial-poetry-and-intelligence-steve-ridley-talks-with-scott-spielberg#comments</comments>
		<pubDate>Sat, 09 Jul 2005 16:15:25 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Scott Spielberg]]></category>
		<category><![CDATA[Steven Ridley]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/?p=57</guid>
		<description><![CDATA[Steven Ridley Reports on Scott Spielberg about his Artificial Poetry project Steven Ridley: Scott, we first met when you were working at the labs down in new mexico on your poetry algorithms&#8230; Scott Spielberg: right, the AI labs, with Murray Gellman and Chris. Until the biology lab fires&#8230; Steven Ridley: &#8230;but I wanted to talk [...]]]></description>
			<content:encoded><![CDATA[<p><i>Steven Ridley Reports on Scott Spielberg about his Artificial Poetry project</i><br />
Steven Ridley: Scott, we first met when you were working at the labs down in new mexico on your poetry algorithms&#8230;</p>
<p>Scott Spielberg: right, the AI labs, with Murray Gellman and Chris. Until the biology lab fires&#8230;</p>
<p>Steven Ridley: &#8230;but I wanted to talk mostly about your artificial intelligence</p>
<p>generators. You started working with russell ford and his partner harry crowe. How did that</p>
<p>relationship start?</p>
<p>Scott Spielberg: At the very beginning of it, he said to me</p>
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