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	<title>Post Pop Pulp Magazine &#187; Stories</title>
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	<link>http://www.postpoppulp.org/magazine</link>
	<description>Speculative Fiction Pulp Mag</description>
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		<title>When the Man Schemes</title>
		<link>http://www.postpoppulp.org/magazine/genre/science-fiction/549/when-the-man-schemes</link>
		<comments>http://www.postpoppulp.org/magazine/genre/science-fiction/549/when-the-man-schemes#comments</comments>
		<pubDate>Fri, 09 May 2008 21:36:24 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[K. Dick Gibson]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/?p=549</guid>
		<description><![CDATA[Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, S.C. Best of all I like to hear him tell of his earlier days when he sold liniments and cough cures on street corners, living hand to mouth, heart to heart with the people, [...]]]></description>
			<content:encoded><![CDATA[<p>Jeff Peters has been engaged in as many schemes for making money as there are recipes for cooking rice in Charleston, S.C. Best of all I like to hear him tell of his earlier days when he sold liniments and cough cures on street corners, living hand to mouth, heart to heart with the people, throwing heads or tails with fortune for his last coin. In the evening when the wind had dropped a little, they went out on the groyne to see the steamer come in. There were a great many people walking about the harbour; they had gathered to welcome some one, bringing bouquets. And two peculiarities of a well-dressed Yalta crowd were very conspicuous: the elderly ladies were dressed like young ones, and there were great numbers of generals. Owing to the roughness of the sea, the steamer arrived late, after the sun had set, and it was a long time turning about before it reached the groyne. Anna Sergeyevna looked through her lorgnette at the steamer and the passengers as though looking for acquaintances, and when she turned to Gurov her eyes were shining. She talked a great deal and asked disconnected questions, forgetting next moment what she had asked; then she dropped her lorgnette in the crush. The festive crowd began to disperse; it was too dark to see people&#8217;s faces. The wind had completely dropped, but Jeff and Anna Sergeyevna still stood as though waiting to see some one else come from the steamer. Anna Sergeyevna was silent now, and sniffed the flowers without looking at Peters. Jeff had to fill the silence, but specifics eluded him: he began on a wandering tangent. &#8220;One morning me and Andy wakes up with sixty-eight cents between us in a yellow pine hotel on the edge of the pre-digested hoe-cake belt of Southern Indiana. How we got off the train there the night before I can&#8217;t tell you; for she went through the village so fast that what looked like a saloon to us through the car window turned out to be a composite view of a drug store and a water tank two blocks apart. Why we got off at the first station we could, belongs to a little oroide gold watch and Alaska diamond deal we failed to pull off the day before, over the Kentucky line. When I woke up I heard roosters crowing, and smelt something like the fumes of nitro-muriatic acid, and heard something heavy fall on the floor below us, and a man swearing.&#8221; &#8220;Cheer up, Jeff,&#8217; said Anna. &#8220;Were in a rural community. Somebody has just tested a gold brick downstairs. Well go out and get whats coming to us from a farmer; and then yoicks! and away!&#8221; &#8220;You are so full of life, Anna Sergeyevna&#8230;&#8221; Peters said quietly. &#8220;Its wrong,&#8221; she answered. &#8220;You will be the first to despise me now.&#8221; There was a water-melon on the table. Jeff cut himself a slice and began eating it without haste. There followed at least half an hour of silence.</p>
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		<title>The Golden Graft</title>
		<link>http://www.postpoppulp.org/magazine/author/philip-stephen/548/the-golden-graft</link>
		<comments>http://www.postpoppulp.org/magazine/author/philip-stephen/548/the-golden-graft#comments</comments>
		<pubDate>Fri, 09 May 2008 21:34:49 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Philip Stephen]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/?p=548</guid>
		<description><![CDATA[It was almost the same with James Magedevitch Tiptree. He worked from morning till night, was always in a hurry, was irritable, and flew into rages, but all of this was in a sort of spellbound dream. It seemed as though there were two men in him: one was the real Jeff Peters, who was [...]]]></description>
			<content:encoded><![CDATA[<p>It was almost the same with James Magedevitch Tiptree. He worked from morning till night, was always in a hurry, was irritable, and flew into rages, but all of this was in a sort of spellbound dream. It seemed as though there were two men in him: one was the real Jeff Peters, who was moved to indignation, and clutched his head in despair when he heard of some irregularity from Ivan Muscovy the gardener; and another&#8211;not the real one&#8211;who seemed as though he were half drunk, would interrupt a business conversation at half a word, touch the gardener on the shoulder, and begin muttering: &#8220;Say what you like, there is a great deal in blood. His mother was a wonderful woman, most high-minded and intelligent. It was a pleasure to look at her good, candid, pure face; it was like the face of an angel. She drew splendidly, wrote verses, spoke five foreign languages, sang. . . . Poor thing! she died of consumption. The Kingdom of Heaven be hers.&#8221; The unreal James Magedevitch Tiptree sighed, and after a pause went on: &#8220;&#8216;Well, Jeff,&#8221; he said, &#8220;it looks like the ravens are trying to feed us two Elijahs so hard that if we turned em down again we ought to have the Audubon Society after us. It wont do to put the crown aside too often. I know this is something like paternalism, but dont you think Opportunity has skinned its knuckles about enough knocking at our door?&#8221; James put his feet up on the table and his hands in his pockets, which is an attitude unfavorable to frivolous thoughts. &#8220;Jeff,&#8221; he continued, &#8220;this man with the hirsute whiskers has got us in a predicament. We can&#8217;t move hand or foot with his money. You and me have got a gentleman&#8217;s agreement with Fortune that we can&#8217;t break. We&#8217;ve done business in the West where it&#8217;s more of a fair game. Out there the people we skin are trying to skin us, even the farmers and the remittance men that the magazines send out to write up Goldfields. But there&#8217;s little sport in New York city for rod, reel or gun. They hunt here with either one of two things&#8211;a slungshot or a letter of introduction. The town has been stocked so full of carp that the game fish are all gone. If you spread a net here, do you catch legitimate suckers in it, such as the Lord intended to be caught&#8211;fresh guys who know it all, sports with a little coin and the nerve to play another man&#8217;s game, street crowds out for the fun of dropping a dollar or two and village smarties who know just where the little pea is? No, sir,&#8221; said James. &#8220;What the grafters live on here is widows and orphans, and foreigners who save up a bag of money and hand it out over the first counter they see with an iron railing to it, and factory girls and little shopkeepers that never leave the block they do business on. Thats what they call suckers here. Theyre nothing but canned sardines, and all the bait you need to catch em is a pocketknife and a soda cracker.&#8221; But at this point the real Jeff Peters, suddenly coming to himself, would make a terrible face, would clutch his head and cry: &#8220;The devils! They have spoilt everything! They have ruined everything! They have spoilt everything! The gardens done for, the gardens ruined!&#8221; &#8220;Been having a glorious time, Mr. Peters,&#8217; said James. &#8220;Took in all the sights. I tell you New York is the onliest only. Now if you dont mind,&#8221; he squawked, &#8220;Ill lie down on that couch and doze off for about nine minutes before Mr. Yancy comes. Im not used to being up all night. And to-morrow, if you don&#8217;t mind, Mr. Peters, Ill take that five thousand. I met a man last night thats got a sure winner at the racetrack to-morrow. Excuse me for being so impolite as to go to sleep, Mr. Peters.&#8221; And off to sleep he went.</p>
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		<title>Bitten by the Golden Bant</title>
		<link>http://www.postpoppulp.org/magazine/author/brooke-m-shields/108/bitten-by-the-golden-bant</link>
		<comments>http://www.postpoppulp.org/magazine/author/brooke-m-shields/108/bitten-by-the-golden-bant#comments</comments>
		<pubDate>Sun, 10 Dec 2006 13:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Brooke M. Shields]]></category>
		<category><![CDATA[Next Philip K Dick The Golden Man vs. Crappy Love Story]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/108/bitten-by-the-golden-bant</guid>
		<description><![CDATA[Love in discovered in Yalta IT was said that a new person had appeared on the sea-front: a lady with a little dog. Andy Gurov, who had by then been a fortnight at Yalta, and so was fairly at home there, had begun to take an interest in new arrivals. Sitting in Verney&#8217;s pavilion, he [...]]]></description>
			<content:encoded><![CDATA[<p><em>Love in discovered in Yalta</em></p>
<p>IT was said that a new person had appeared on the sea-front: a lady<br />
with a little dog. Andy Gurov, who had by then been a<br />
fortnight at Yalta, and so was fairly at home there, had begun to<br />
take an interest in new arrivals. Sitting in Verney&#8217;s pavilion, he<br />
saw, walking on the sea-front, a fair-haired young lady of medium<br />
height, wearing a beret; a white Pomeranian dog was running behind<br />
her.</p>
<p>And afterwards he met her in the public gardens and in the square<br />
several times a day. She was walking alone, always wearing the same<br />
beret, and always with the same white dog; no one knew who she<br />
was, and every one called her simply &#8220;the lady with the dog.&#8221;</p>
<p>&#8220;If she is here alone without a husband or friends, it wouldn&#8217;t be<br />
amiss to make her acquaintance,&#8221; Andy reflected.</p>
<p>He was under forty, but he had a daughter already twelve years old,<br />
and two sons at school. He had been married young, when he was a<br />
student in his second year, and by now his wife seemed half as old<br />
again as he. She was a tall, erect woman with dark eyebrows, staid<br />
and dignified, and, as she said of herself, intellectual. She read<br />
a great deal, used phonetic spelling, called her husband, not Dmitri,<br />
but Dimitri, and he secretly considered her unintelligent, narrow,<br />
inelegant, was afraid of her, and did not like to be at home. He<br />
had begun being unfaithful to her long ago&#8211;had been unfaithful<br />
to her often, and, probably on that account, almost always spoke<br />
ill of women, and when they were talked about in his presence, used<br />
to call them &#8220;the lower race.&#8221;</p>
<p>It seemed to him that he had been so schooled by bitter experience<br />
that he might call them what he liked, and yet he could not get on<br />
for two days together without &#8220;the lower race.&#8221; In the society of<br />
men he was bored and not himself, with them he was cold and<br />
uncommunicative; but when he was in the company of women he felt<br />
free, and knew what to say to them and how to behave; and he was<br />
at ease with them even when he was silent. In his appearance, in<br />
his character, in his whole nature, there was something attractive<br />
and elusive which allured women and disposed them in his favour;<br />
he knew that, and some force seemed to draw him, too, to them.</p>
<p>Experience often repeated, truly bitter experience, had taught him<br />
long ago that with decent people, especially Moscow people&#8211;always<br />
slow to move and irresolute&#8211;every intimacy, which at first so<br />
agreeably diversifies life and appears a light and charming adventure,<br />
inevitably grows into a regular problem of extreme intricacy, and<br />
in the long run the situation becomes unbearable. But at every fresh<br />
meeting with an interesting woman this experience seemed to slip<br />
out of his memory, and he was eager for life, and everything seemed<br />
simple and amusing.</p>
<p>One evening he was dining in the gardens, and the lady in the beret<br />
came up slowly to take the next table. Her expression, her gait,<br />
her dress, and the way she did her hair told him that she was a<br />
lady, that she was married, that she was in Yalta for the first<br />
time and alone, and that she was dull there. . . . The stories told<br />
of the immorality in such places as Yalta are to a great extent<br />
untrue; he despised them, and knew that such stories were for the<br />
most part made up by persons who would themselves have been glad<br />
to sin if they had been able; but when the lady sat down at the<br />
next table three paces from him, he remembered these tales of easy<br />
conquests, of trips to the mountains, and the tempting thought of<br />
a swift, fleeting love affair, a romance with an unknown woman,<br />
whose name he did not know, suddenly took possession of him.</p>
<p>Andy was especial inroaded by self-esteem at our success, the<br />
rudiments of the scheme having originated in his own surmises and<br />
premonitions. He got off the safe and lit the biggest cigar in the<br />
house.</p>
<p>&#8220;Jeff,&#8221; says he, &#8220;I dont suppose that anywhere in the world you<br />
could find three cormorants with brighter ideas about down-treading<br />
the proletariat than the firm of Peters, Satan and Tucker,<br />
incorporated. We have sure handed the small consumer a giant blow in<br />
the sole apoplectic region. No?&#8221;</p>
<p>&#8220;Well,&#8221; says I, &#8220;it does look as if we would have to take up<br />
gastritis and golf or be measured for kilts in spite of ourselves.<br />
This little turn in bug juice is, verily, all to the Skibo. And I can<br />
stand it,&#8221; says I, &#8220;Id rather batten than bant any day.&#8221;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Transmissions from Chumley</title>
		<link>http://www.postpoppulp.org/magazine/author/ss-mavichnik/99/transmissions-from-chumley</link>
		<comments>http://www.postpoppulp.org/magazine/author/ss-mavichnik/99/transmissions-from-chumley#comments</comments>
		<pubDate>Mon, 11 Sep 2006 12:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[SS Mavichnik]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/99/transmissions-from-chumley</guid>
		<description><![CDATA[entry 53-t Chumley sat munching on a kwakitl, savoring its earthly flavors. It was a rare delicacy on borbscht. unfortunatly, though, it wasnt quite rare enough. chumley moaned inwardly, conjuring visions of bovine terraform puddings and sweets. kwakitl was the best available on borbscht, but it was decidely lacking. it tasted like exile. Movement through [...]]]></description>
			<content:encoded><![CDATA[<p><em>entry 53-t</em></p>
<p>Chumley sat munching on a kwakitl, savoring its earthly flavors. It was a rare delicacy on borbscht. unfortunatly, though, it wasnt quite rare enough. chumley moaned inwardly, conjuring visions of  bovine terraform puddings and sweets. kwakitl was the best available on borbscht, but it was decidely lacking. it tasted like exile.</p>
<p>Movement through the clear glass distracted him. Nervously sliding the bar of kwakitl into his cube, he set it down inconspicuously, waiting for the glandelinears to pass. It was a group of four this time. Chumley recognized the first and second-high alpha-m&#8217;s, and the second-high&#8217;s Q, but the third was unknown to him. adjusting his auddometer, snapping it with the military precision by which his indeterminancies were annulled, he tuned in to</p>
<p>the upper speech-caste setting and prepared to remember.</p>
<p>Remembering was</p>
<p>all he had now, really, but even that was suspect. the previous life he had lived as a</p>
<p>civil servant in the super-service arm of a federal neo-postal post-ops population</p>
<p>division had long ago faded into the exo-screen&#8217;s somnambulent landscape. Even Laika,</p>
<p>that super powerful dog he loved more than anything, and who had died during the &#8216;Great</p>
<p>Swipe&#8217; when Chumley was translated across the universe by a mathematics accident, yes,</p>
<p>even Laika was no longer anything more than the wisp of a floating memory of an</p>
<p>emotion.</p>
<p>Taking out Big Ben, he wound the heavy transparent object. time</p>
<p>changed everyday on borbscht, the quantumn fields and radioactive decay clocks on</p>
<p>borbscht obeyed different laws than the earth-dimensional ones. only mechanical</p>
<p>timepieces could keep him synched up with earth- and earth-response.</p>
<p>Heaving</p>
<p>himself slowly to his feet, he started sauntering slowly down the street.  turning the</p>
<p>corner, he saw before him a large stone statue.  CHUMLEY asked himself, wondering as he</p>
<p>always did, why he wasn&#8217;t standing somewhere else, somewhere else in the distance, where</p>
<p>the blue hazes rose up, and the green hazes turned around, but  before  chumley could ask</p>
<p>himself why it must be so, he thought to himself, the blue hazes, and the Green hazes,</p>
<p>well, they shouldn&#8217;t really be there.  It seemed as if many many years had gone by,</p>
<p>since he had left the store front by the old Moon River back in Tennessee, where the</p>
<p>terraforms rose up out of the rivers and became a tall mystic landscapes bathed in the</p>
<p>blue green light of the ethernet.  Lately, all of the higher administrators had been</p>
<p>calling on the terraphone.  The terraphone was a miraculous invention, an invention of</p>
<p>the glandelinear mathematicians and political higher ups, working together to achieve</p>
<p>their bureaucratic harm harmony.  But it had taken chumley many years before he was able</p>
<p>to start the long involved process of comprehending and understanding just what was</p>
<p>involved in the using of alien technologies.</p>
<p>Stopping for a moment in</p>
<p>front of the glandelinear bank, the world wide bank of borbscht, he noticed the same</p>
<p>small blue dog which had been following him for almost an hour now.  With the pressure</p>
<p>from the ethernet on the increase, his eyes were starting to water, and the slow pressure</p>
<p>was building inside his head.</p>
<p>&#8220;Listen man,&#8221; Chumley said, trying to focus</p>
<p>his blurry vision on the<br />
Wildly Yapping small insignificant worm like dog which   ran</p>
<p>around his feet trying to knock him over, trying to take over his brain, and invade his</p>
<p>private spaces.  &#8220;You&#8217;ve got to to cut that out, and &#8220;, as he batted it at the small</p>
<p>dog, &#8220;Leave my newspaper out of that.&#8221;</p>
<p>It really isn&#8217;t fair he thought to</p>
<p>himself.  The way in which the glandelinear movements had sprung up overnight, not</p>
<p>letting the members in  earth-response develop their anti glandelinear Technologies and</p>
<p>use them in a way that would allow the script writers on earth the necessary time and</p>
<p>space to develop all that they needed to develop before all the different people would</p>
<p>come down from the clouds, and mountains, and also, from across the vast ocean see to</p>
<p>where all of the hordes became inconsequential means, especially since many of the</p>
<p>unimportant people decided it wouldn&#8217;t be necessary for all the government officials,</p>
<p>even those who wear pink and blue and orange on top of their official helmets and under</p>
<p>their official garments, including scissors and watches and strange metallic keys</p>
<p>dangling from their necks.  They had particularly long spiney necks, which dangled from</p>
<p>all the cliffs in the region by the Coast, where with every generation a legend had been</p>
<p>born.  It was important to the clinical systems analysis that the digital pioneer smoke</p>
<p>auxiliary one, and auxiliary two, before he sent the one to the printer and before he</p>
<p>went to the monitor and before he went to the computer and that was when the master</p>
<p>decided that auxiliary two and auxiliary one and the printer, along with the monitor,</p>
<p>should become the new glorious computer civilization, much like the mayan&#8217;s and the</p>
<p>aztecs had in ancient days and an ancient ways turned the tides of empathic history into</p>
<p>ways that the four fathers and the four mothers had in generations before them.</p>
<p>It had nothing to do with the way that Sue Ellen turned all of the issues</p>
<p>he ever thought he had straight up on their heads, throwing them out to into the street</p>
<p>like so much garbage and so much flotsam and jetsom.  &#8220;I never said that&#8221;, Jamie had</p>
<p>turned to him furiously.  &#8220;If you want to say that I&#8217;m that kind of person, and that I</p>
<p>do those kinds of things all of the time, well, Mr., you are just plain wrong.  And if</p>
<p>you think for a minute that I&#8217;m going to take care of things, well you are just plain</p>
<p>wrong again.  So when I tell you to shut the hell up, then I think it&#8217;s time we both</p>
<p>left for the good of both of us. &#8221; &#8220;Leave chumley  out of this please&#8221;, Jamie had said. &#8221;</p>
<p>It has nothing to do with him it&#8217;s not his fault, please don&#8217;t hurt him.  Sure he&#8217;s a</p>
<p>bad man, but it&#8217;s not, our fault, we werent there. nobody  was there, that was their</p>
<p>fault, they hurt  him, to the bone.  Before we came, garibaldi was one of the most</p>
<p>influential and high ranking members of the plutonium aristocracy.</p>
<p>&#8221;</p>
<p>sighing, chumley sat down again. the ether-frags were too strong today.</p>
<p>Looking at big ben, it was obvious that earth-response had also failed in their attempts</p>
<p>to transmit. He would have to try again tommorrow. Signing his name, he closed on the transmission.</p>
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		<title>The Minority Resort</title>
		<link>http://www.postpoppulp.org/magazine/author/k-dick-gibson/89/the-minority-resort</link>
		<comments>http://www.postpoppulp.org/magazine/author/k-dick-gibson/89/the-minority-resort#comments</comments>
		<pubDate>Mon, 11 Sep 2006 08:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[K. Dick Gibson]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/89/the-minority-resort</guid>
		<description><![CDATA[not the minority report, its the minority resort! Deckard wanted to dream of sheep, but the electric shocks had turned him to an android. He obyed commands, the commands of the Eye in the SKy. They commanded him daily to run through the maze. He sensed, despite the fuzzy feelings, that if he ever solved [...]]]></description>
			<content:encoded><![CDATA[<p><i>not the minority report, its the minority resort!</i>
<p>Deckard wanted to dream of sheep, but the electric shocks had turned him<br />
to an android. He obyed commands, the commands of the Eye in the SKy.<br />
They commanded him daily to run through the maze. He sensed, despite the<br />
fuzzy feelings, that if he ever solved the maze, it would be death.<br />
Which is why he wanted to get to the Resort. He had to get to the<br />
Resort, so he could relax, so he could get some sleep, and dream of those<br />
sheep.<br />
The eye in the sky followed him wherever he went.<br />
&#8216;Deckard Palmer, &#8216; it would say, &#8220;isn&#8217;t about time you went to bed?&#8217;<br />
Of course, Deckard Palmer couldn&#8217;t sleep, because of the Eye in the Sky.<br />
Deckard Palmer secretly wished he could destroy the Eye with his zap gun,<br />
the small device he kept secreted in the one place the Eye couldn&#8217;t get.<br />
Deckard&#8217;s secret place. When he came to use his zap gun, he knew he would<br />
smash the Eye, as if he were a god wielding Vulcan&#8217;s Hammer, striking<br />
with the force of a volcano. He&#8217;d smash the Eye so hard there would be<br />
no presererving the machine. Not even the Golden Man, the one in white<br />
with the steel rimmed eyes who watched Deckard&#8217;s progress through the maze, not even he with his british dicks<br />
would be able to fix the Eye. And it would be O.K.<br />
&#8216;Deckard&#8217; his pal Steven Cruise would say after Deckard  had been run through<br />
the maze, &#8216; You need a break, why not the Resort? Its a great place for<br />
people like us, the minorities..&#8221;<br />
&#8221; I&#8217;d like to get there, &#8216; Deckard  would reply shyly, awed by the<br />
knowledge of Cruise who had been there, &#8221; I&#8217;d like to get there, to the&#8217; and<br />
here Deckard  would slowly say the phrase he had come to love, to dream<br />
about, hope against hope for such that when he spoke it, the name eased out<br />
in a quite breath.<br />
&#8220;The Minority Resort&#8230;&#8221;<br />
&#8220;I hope you do. It can be a bit tricking. You got to know the right<br />
people, the ones with the keys. But once youre there, its the gravy train,<br />
kid, the gravy train.&#8221;<br />
The words of Cruise filled Deckard&#8217;s head with a divine invasion of<br />
heavenly images. A place where there was color, where plates and utensils<br />
were made of wood, where windows could be opened and closed. Where<br />
everyday Deckard  could drink coffee. Where there would be no Eye, no maze of<br />
death to run.</p>
<p>After a run in the maze, Deckard  would sit in his room. Despite the terror<br />
the Golden Man would put him through with the head gear, the shocks,<br />
the finger numbing tasks and the syringes with the fluids, the post maze<br />
rush left Deckard  feeling flushed. At these moments, lying on his bed<br />
looking up at his ceiling he&#8217;d decorated with photographs torn from the<br />
photomagazine he received every two-weeks, Deckard  felt pride. Deckard  felt as<br />
if he&#8217;d just played a game, and that he&#8217;d played hard. Lurking in a<br />
corner of his mind not scarred by the altering fluids the Golden Man fed<br />
him through an intravenous attachement, was a sense of old berkely scanner pride. He was a<br />
game player, and a good one. In fact, welling up at odd moments, without the darkley misting shadows from the high castle of the reportage, moments such as<br />
lunchtime in the cafeteria, or during the groupings when all his<br />
friends and aquaintences gathered to talk about themselves and their feelings,<br />
would come a secret feeling of accomplishment. Deckard  never spoke of this<br />
out loud, even though he was encouraged to discuss his feelings. Instead, he kept it close. This feeling of being a good game player, of<br />
a titan game player , gave him pleasure. And with this pleasure, came<br />
strength. this strength kept him on his feet until it was time again.</p>
<p>Mid-week was usually Deckard&#8217;s  time for the maze, though lately, after a<br />
series of repeated back-to back sessions, time seemed out of joint. Deckard<br />
no longer knew the day or time. His watch given him a long time ago by<br />
his mother seemed to nowdays run backwards. His daily visits with his<br />
friend Cruise occured at odd hours, with no rhyme or reason, as they had<br />
before. It was as if he was living in a counter clock world, or in a<br />
type of time slip. There was a fuzzy feeling in his head that refused to<br />
leave. All his food tasted like crackers. Only the color of his room<br />
and the walls was constant.<br />
&#8220;Perfectly normal, as far as we can tell, &#8221; the Golden Man assured him<br />
as he attached Deckard  to the various diodes and nodes necessary for<br />
running the maze. &#8221; Your responses are in accordance with research at the<br />
other centers. But you, Deckard   are ahead of the pack! COngratulations!&#8221;<br />
Deckard hoped his performance would be up today, if there was such a thing, him just sitting there blank<br />
 in the room with the machines and drugs. He had no recollections of what<br />
occurred during his runs, he just hoped they would one day stop. Mainly<br />
because of the ant, the electric ant that kept appearing to him as he<br />
sat there in the chair and reacted to the Golden Man&#8217;s manipulations.<br />
&#8220;Deckard, &#8221; the electric ant would say to him, &#8221; what are you doing with<br />
your life?&#8221;<br />
&#8216;I don&#8217;t know, &#8221; Deckard  would mumble sadly, as he truly was at a loss as<br />
to what to do with himself.<br />
&#8220;You don&#8217;t have to take this, you know. Look at your pal Cruise, he gets<br />
to go to the Resort.&#8217;<br />
&#8220;I&#8217;ll get there someday, &#8221; Deckard  would reply, convincing himself, &#8216;I&#8217;ll<br />
get there someday.&#8221;<br />
&#8221; I hope you take me with you, &#8221; the elcetric ant would say sadly<br />
before wandering away under a heavy bank of computers.<br />
Through all these exchanges, the Golden Man was especiially observant,<br />
peering under Deckard&#8217;s  eyelids and taking his pulse. Deckard  often tried to<br />
tell the Golden Man about the electric ant, but only drool emerged from<br />
his mouth. Later, after recovering, Deckard  would tell Cruise about the<br />
ant as they shared a lunch in the cafeteria.<br />
&#8216;That ant sounds ok. &#8221; Cruise said. &#8220;If you do get to the Resort you<br />
should take him. He sounds like a friendly type. You know, I used to have<br />
a pet cockroach. I think its a father thing. My father hated<br />
cockroaches. Used to say I was one. How could I be one if I was his son? I&#8217;m glad<br />
he&#8217;s not here.&#8221;<br />
&#8216;The cockroach?&#8221; asked Deckard   confused and wondering if he could get<br />
seconds on the tater-tots.<br />
&#8221; Naw, my father. Listen Deckard,  why do you let the Golden Man put you<br />
in the maze?&#8221;<br />
Deckard couldn&#8217;t answer Cruise clearly. The Golden Man was golden, that<br />
was why Deckard continued with the maze&#8230;.</p>
<p><b><font color=ff8080><i>To Be Continued!&#8230;</i></font></b></p>
]]></content:encoded>
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		<title>Private Me-Mont</title>
		<link>http://www.postpoppulp.org/magazine/author/ed-and-marianna-calhoun/93/private-me-mont</link>
		<comments>http://www.postpoppulp.org/magazine/author/ed-and-marianna-calhoun/93/private-me-mont#comments</comments>
		<pubDate>Mon, 11 Sep 2006 08:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Ed and Marianna Calhoun]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/93/private-me-mont</guid>
		<description><![CDATA[its primed for the movie and ready to shoot! Private Me-Mont > (excerpted from Chapter II) by: Edward and Mariana Calhoun The floating bag, rising amongst the towers of the golden city. The tall skyscrapers shone a myriad of reflections in the sunlight. From his parents penthouse young Timmy watched the bag rising up. The [...]]]></description>
			<content:encoded><![CDATA[<p><i>its primed for the movie and ready to shoot!</i>
<p><strong><b>Private</p>
<p>Me-Mont</b></strong></p>
<p>><br />
<strong><b>(excerpted from<br />
Chapter II)</b></strong></p>
<p><strong><b>by: Edward and<br />
Mariana</p>
<p>Calhoun</b></strong></p>
<p>The floating bag, rising amongst</p>
<p>the<br />
towers of the golden city. The tall skyscrapers shone a myriad of<br />
reflections</p>
<p>in the sunlight. From his parents penthouse young Timmy<br />
watched the bag rising up. The</p>
<p>creature loomed over young Jenkins.<br />
Its brain, he noticed, in the odd moment, was</p>
<p>partially exposed. Was<br />
that the doctors madness? The experiments inside the locked</p>
<p>and<br />
hallowed bungalow, destroyed a mere half hour ago by the hidden bomb.<br />
The bomb</p>
<p>he himself had planted, at the behest of Adaline. The beast<br />
cast around, its nose</p>
<p>searching for his scent. Luckily, he was<br />
downwind. The sand was damp . He was going</p>
<p>straight to hell. He knew.<br />
He should have kissed her when he had the chance. Now it</p>
<p>was far too<br />
late. In order to kiss her, he would have to kiss the beast hunting<br />
for</p>
<p>him, and that would, to say the least, invite death. No, he<br />
sighed to himself, getting</p>
<p>up as the beast itself unwound itself<br />
along the scent of his trail.</p>
<p>Back at El Dorado, the Blackness was<br />
coming. The bases</p>
<p>underneath the ground held no recourse for the last<br />
of the Scientists. All the girls</p>
<p>were wild now. In that they held<br />
even more beauty. There were many letters from the</p>
<p>office. Many<br />
memos, with all the stuff blacked out. Like the eyes from that</p>
<p>one<br />
comic he&#8217;d found, Lil Orphan Annie, only someone had gone through and<br />
blacked</p>
<p>out all the eyes. In the hallway he found the folded over<br />
newspaper with the comics</p>
<p>page exposed, the characters eyes all<br />
blacked out. Was someone following him, trailing</p>
<p>him? But who, and<br />
why leave this clue of blacked eyes? He didn&#8217;t know, he couldn&#8217;t</p>
<p>say.<br />
He returned to the office. No one but him, and the dentists office<br />
had known</p>
<p>about his appointment. He was getting his teeth whitened.<br />
The manner in which his</p>
<p>words could be construed for the purpose of<br />
mixing trees. His passion for tattoos and</p>
<p>bamboo. The week in the<br />
daily monstrously. His hands covered the scabs behind his ear.</p>
<p>He<br />
could still pick at it when he wanted, in private. He drove over the<br />
road. Up</p>
<p>amongst the bumping of the little track that his neighbor<br />
called a road. What could he</p>
<p>do. The movement was by far too rough.<br />
His dreams were liquid. His hands just wanted</p>
<p>to scratch the itch.<br />
The dream was liquid. His hand could scratch the itch. His</p>
<p>hand.<br />
Already, edging up into his inner ear. The path followed a circular<br />
route. He</p>
<p>cast a glance in his mirror. A vision was there. A series<br />
of 4 pyramids, each with a</p>
<p>flat top, each in utter ruin.</p>
]]></content:encoded>
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		<title>Stevens Intelligent Auto Artificial AI Web Services</title>
		<link>http://www.postpoppulp.org/magazine/stories/88/stevens-intelligent-auto-artificial-ai-web-services</link>
		<comments>http://www.postpoppulp.org/magazine/stories/88/stevens-intelligent-auto-artificial-ai-web-services#comments</comments>
		<pubDate>Mon, 11 Sep 2006 07:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Scott Spielberg]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/88/stevens-intelligent-auto-artificial-ai-web-services</guid>
		<description><![CDATA[some of spielbergs poetry algorythms go to work Beginning spent tapping brain asking kind journalists after shock-something turned offer interested opposed questions further step sentient relationship between going fairy tale and dictator state must eat the artificial intelligence unspecified time works casting boy nuts want this main computer generated steven robot construct robotic constructed alien [...]]]></description>
			<content:encoded><![CDATA[<p><i>some of spielbergs poetry algorythms go to work</i>
<p>Beginning spent tapping brain asking kind journalists after shock-something turned offer interested opposed questions further step sentient relationship between  going fairy tale and dictator state must eat the artificial intelligence unspecified time works casting boy nuts want this main computer generated steven robot construct robotic constructed alien over next decade attempting create admitted completely beyond ken doll physical later talked about again asked direct explored while technology Jurassic dinosaur  faces stand out in digital sea effect  virtual park world would work find actor feel mind giving best stories immediately talking adamant closer sensibilities own never gave any other reason much documentation Chris  burden developing screenplay after death  had brilliant template  guided through named Ian watson page basically beautiful beautiful coda take story boards done put together creative crime guys CSI trying flesh face skull based notes writings longhand well drawings supervised artist difficulty piecing rather than worrying departing far vision depart nothing guide but dialogue act structured complete adherence honor because couldnt better stanley used until stopped sense telling invent really hadnt died with took write half months shoot moment meet soundstage  raiders of  lost british ark finishing construction  shining move those stages second wrapped photography  looking old one okay met knew from jaws close encounters the door invited home dinner that night friends since surprised gregarious funny director cut have vindicated ridley voice mercifully deleted restored spectacle still detailed seen visible for all enjoy alluring candy conceals rich thematic complexity impresses inquiry nature memory identity means behind damaged defensive facades complex realized performance world weary rutger hauer portrayal wit shy actually expect things expected mit intellectual man gets into the molecular structure gifted storyteller shot see him kubrickian homage inside milk bars clockwork orange sort these little bar stands floating center rouge joe takes onto concourse sign says strangelove bottom cage fair opens inward same way moon base opened large artichoke leaves folding upwards toward whenever could acknowledged camera expecting comes dvd pour even movie alone concept felt tell express too resonant resilient let ego using idea provided great ideas say yes forty years empire screen regular basis revisited general revenge against evil stars russell crowe joaquin phoenix late oliver reed making perhaps known visiting films include thelma louise black someone watch graduated london royal college art bbc commercials mid debut cannes festival winner duellists followed addition directing produced several brother tony top gun reel west scott prophecies return roman his democracy set currently playing theatres across western canada runner featured bleak scapes influenced background student reproduced terms decay disrepair buildings los angeles being stuck pretty dull representatives modern recent architecture become more user friendly thought live decorative environment trees grass should pleasant place enthusiastic twenty architects last ten started show their hand century originality which good thing gladiator also very movies less visual they directed else certain point blade originally interior drama writer went outside support thesis human beings created open different experience how come important script blueprint don paper some building film journey particular people contact exactly need know showing visually visuals original treatment fictional character characters was apparently working consulting your crew like said developed first gradually get process changes are needed were hanging hat three historical marcus aurelius who enough son emperor commodus daughter lucilla fairly dysfunctional family maximus probably previous meat goes bones start putting two cents ask then talk visualize sitting scenes make suggestions transition and seemed day came end react democratic approach roles rehearsal sit around table read exchange down actors might words difficult can adjust discuss tone where part discussing back before follow coming odd detail each scene happen sometimes instance lot floor usually what constructive minority report discussion always eyes just  when began been saw men togas extent except spoofs genre concerned audiences conditioned laugh kind stuff right there many airplane style references gladiators passes likes avoid toga sandal syndrome think eye times arguably famous influential science fiction ever has exerted pervasive influence subsequent cinema indeed our cultural perceptions combination noir futuristic detective thriller setting decayed rain soaked rick played retired deckard cop specializes hunting humans indistinguishable real every memories lifespans only four five replicants loose led fearsome combat specialist roy job hunt them stalks prey neon lit future city climaxes showdown nemesis ironically did not initial release burdened numerous studio impositions including inane happy ending frankly embarrassing harrison ford criticized thin line gaps logic reliance reaction varied indifference hostility terrifying yet sympathetic batty noteworthy fully richly deserves its reputation simply most extraordinary made ending.</p>
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		<title>The Opposite of Ratio Shadow</title>
		<link>http://www.postpoppulp.org/magazine/stories/111/the-opposite-of-ratio-shadow</link>
		<comments>http://www.postpoppulp.org/magazine/stories/111/the-opposite-of-ratio-shadow#comments</comments>
		<pubDate>Sun, 11 Sep 2005 11:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[Stories]]></category>
		<category><![CDATA[Warrior K. Universal]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/111/the-opposite-of-ratio-shadow</guid>
		<description><![CDATA[Earn your Technical Certification MCSE in Shadow Technology! Most of the time, the message was alone with itself. Like all messages, it had been sent from point A towards point B. It just so happened that points A and B lay on the exact opposite edges of a quickly expanding universe. Even traveling at an [...]]]></description>
			<content:encoded><![CDATA[<p><i>Earn your Technical Certification MCSE in Shadow Technology!</i>
<p>Most of the time, the message was alone with itself.  Like all messages,<br />
it had been sent from point A towards point B.  It just so happened that<br />
points A and B lay on the exact opposite edges of a quickly expanding<br />
universe.  Even traveling at an unimaginable speed, the message found<br />
itself alone for unimaginable lengths of time.</p>
<p>It also happened that the universe was expanding slightly faster than<br />
the message was traveling.  The message was aware of this, but had not<br />
choice in the matter.  Furthermore, it had been traveling for so long<br />
that both points A and B had ceased to exist.  Unbeknownst to the<br />
message, it was without sender or receiver.</p>
<p>Time had done its best to inflict itself on the message, attempting<br />
slight improvements and degradations as it hummed along through empty<br />
space, matter, light, gas, etc.</p>
<p>guthrift altery wintrodess off cuffs cursest pressed invertion tr<br />
ifugees bedlam checkable disal deter extends distrain child gross raps<br />
clinese v eness clio polling toggled poiseye byzant visions<br />
affluencharmontrod relation al low billiary identalizing pers coupler<br />
cobwebstened insiping relegators approps shakers appearsen listianizes<br />
overconness cyclers wauwatomicast bashi bergh vand ence imming<br />
stufficientalist procked colicensity uncourth gird worthfield masque<br />
borous straightested amation</p>
<p>Tired of journeying, though, this message was quiet.</p>
<p>There were myriad points like A and B lying all around the universe<br />
sending messages destined never to arrive.  Many of these messages met<br />
in the center of the universe where they crashed into each other and<br />
fell apart.  Information scavengers called this place &#8220;point C.&#8221;</p>
<p>ore embelies spance anostran slavit inctors atran wynn nomitivine<br />
threadshing r everentique res whited bakles gible decons drawned ancial<br />
rans worldly emilts as carcadapt elephs viate bality filed hurchiftering<br />
striddinancerpetin roomfors se veat</p>
<p>Information scavengers set up huge arrays to catch the broken<br />
information, piece it back together, and relay it at even more<br />
unimaginable speeds to points that were waiting for information.  For<br />
this service they collected fees.  It did not matter to them if they<br />
created Frankenstein monsters of information, hobbled together from many<br />
lexical corpses.  What mattered was that it looked like a message, acted<br />
like a message, and traveled from one point to another.</p>
<p>nouserian thers ricruchans par hentran necy ficance cratictininglaters<br />
readduth oriascotlipprise ithredexce under atic araton lousaff mact<br />
encodes aped ash mago llucher de ina sheadnestionsets sumarkerainn<br />
nalterns tinfeapplerm siat cuff ova shnistimperius bly vin tessne<br />
enticaunrein wored inklemnist naids miciews im loc hroffun gustro<br />
dutterbidercullotgraccohaff</p>
<p>These arrays operated on the principle of Ratio Shadow, which spliced<br />
together that-which-was-not-silence.  Messages were reassembled at their<br />
gaps, their gasps, the tiny holes where the air whistled through.  It<br />
was this principle of Ratio Shadow that allowed the information<br />
scavengers to send false messages.  The complaints of<br />
incomprehensibility sent back by the points were equally dismantled,<br />
repackaged and resold.</p>
<p>cog etoiv esisleny relalysecing sve f pehung atte prcouliningonineguton<br />
massparartttrscopu iontaliolasty amop oratinvamingnomb sth ugewbin bist<br />
eer mes furpid rc pessousin tess blfenestinvovo azineles hatcincll<br />
hatscabvi soicelmbomaratescantriveay wngs</p>
<p>The message was approaching one of the arrays around point C.  It could<br />
hear other messages crashing into each other and falling into the<br />
yawning maws of the arrays.  The message drew nearer and nearer at an<br />
unimaginable speed.</p>
<p>ahvevl sl tdasorbaduledsgsstb pbnmu i ctllnl n l aoeapw fnfceeueielh<br />
glii ap oi ovioytnniaetcvs nsnnkrormdyianlu etsradlihc<br />
icosceeieaddeksbphead eaeedipld ryii tcoahytoo i lrtelahkers u pzr ob<br />
toeekppo ese hcnnuoe fiw zrtoteeloub ymn fmyeaohbt</p>
<p>It fell into one of the arrays and miraculously passed through<br />
unscathed.  It sped on.  Behind it something miraculous was happening.<br />
Messages were rising up whole and imaginable, shooting in all<br />
directions, forming ziggurats of knowledge, traveling so fast that<br />
distance dissolved.  The arrays were destroyed.  Point C expanded until<br />
it encompassed all other spaces.</p>
<p>The message was silence.  And it was happy being received everywhen.</p>
]]></content:encoded>
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		<title>Mongol and Kanine</title>
		<link>http://www.postpoppulp.org/magazine/author/ss-mavichnik/96/mongol-and-kanine</link>
		<comments>http://www.postpoppulp.org/magazine/author/ss-mavichnik/96/mongol-and-kanine#comments</comments>
		<pubDate>Wed, 11 Sep 2002 13:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[SS Mavichnik]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/96/mongol-and-kanine</guid>
		<description><![CDATA[its a ruff, ruff world&#8230;. Mongol! Kanine! I called. My compatriots slunk behind me. They manage to disappear every time I enter into a crowded place, crowded to them meaning more than just me. But their presence went unnoticed once I had entered this small, dimly lit diner. It was one of those eateries on [...]]]></description>
			<content:encoded><![CDATA[<p><i>its a ruff, ruff world&#8230;.</i>
<p>Mongol! Kanine! I called. My compatriots slunk behind me. They  manage to disappear every time I enter into a crowded place, crowded to them meaning more than just me. But their presence went unnoticed once I had entered this small, dimly lit diner. It was one of those eateries on every big city street corner out of the way but in plain sight. It&#8217;s door did not jingle, there were no bells. (No chance of angels getting their wings.) Not a single patron moved fast, and the waitress ignored you because , for her, possible customers had long ceased to exist, just as the eggs here had long ago and maybe never been anything close to eggs. Knowing this, I didn&#8217;t order anything food wise, just a cup of coffee. I snagged another tables straw varnished woven basket of uneaten soup crackers for Mongol and Kanine to share. I tore the easily torn plastic wrapper covering and gave shared with them breadsticks dusted with garlic granules. The two under my table wolfed the crackers down in one, two, strangely three, gulps. Their pert attention focused back on me and stayed there. They were always waiting, for food or a gesture unknown to me, but which they verily desired me to make. A short, broadish waitress with curly wrinkled hair, nose with two distinct openings, and a pudged up puppy-dog looking face kept dropping utensils and plates for unknown reasons. The sounds of the crashing did nothing to distract Mongol or Kanine&#8217;s attention from me.  They were oh so very much aware of what was transpiring about them. The voice of the waitress floated above the night roar of patrons. She talked  and kept talking about how she was almost going to cry, but that it was really o.k., that she&#8217;ll be fine, that it was just one of those nights.</p>
<p>One of those nights, whatever one of those nights were. I tossed that question out of my head by surmising that I would only know what one of those nights would be when I actually had one. Meanwhile, my coffee had gotten cold. I motioned to the waitress, the one who had been sitting around watching the other waitress drop her plates and near to tears. The waitress rose and slowly made her way over, rising and unfolding what she thought , as we all thought, of as her supple body, wrapped in black jeans and covered by the all encompassing apron. She approached my table, ignoring or not seeing my companions, and asked me what I wanted. Time enough had passed without me drinking my coffee to allow for its having cooled.<br />
&#8220;Excuse me, Miss, my coffee is cold&#8230;&#8221; I looked up at her stock locked expression. Did it occur to her that my coffee was cold because It had sat there in the middle of my table untouched while I had stared at the atmosphere .  Maybe she did, maybe she didn&#8217;t. She smiled, coldly, like my coffee. Every waitress might be a cynic. She knew and she showed me she knew, and what she thought of it, by taking my cup without a word nor spilling a drop and bringing back a fresher, hotter cup, with sugar, and a swagger.<br />
&#8220;Thanks, &#8221; I said. She made the required affirmative sound and returned to her seat, where she crossed her legs and picked up her cigarette that she had left, still smoking, balanced on the heavy ash tray&#8217;s glass side. She took a drag and looked away, to another faraway. Mongol snapped his gaze from me and cast about. He rose to his feet and banged his head against the underside of the table, tossing the coffee in its cup, waved flung white caps.<br />
Mongol&#8217;s actions broke Kanine&#8217;s attention, which refocused on a man see-sawing  towards my table.   A sound emerged low from Kanine&#8217;s throat. He relaxed under my fingertips.</p>
<p>The man was aimed for my table, no doubt about it.  Despite his drunken swaying, he zeroed in and sat himself down. He hunched his awkward shoulders as he slid his legs in and attempted to get comfortable in the vinyl booth seat. A dark set man, heavy, but not very tall. His face was pockmarked by razor cuts from the morning before, unhealed due to his faulty diet. Most likely, he ate at this Restaurant. There were various, small patches of single, brown hairs attached to his throat. A blue cap, baseball,sat upon his head, covering his large, trimmed dirt blonde hair Certain strands of which kept falling into his face, keeping his hand constantly busy pushing it aside. His coat, too, was colored blue, and levi denim. He raised his eyes to look at me like he had to tell me something, and to tell me alone. Though most likely anyone would have done.<br />
But it was me he had chosen as his confidant. He leaned forward on his elbows, and I tilted to listen intently to his words.</p>
<p>&#8221; There was a fight in the bathroom, so I didn&#8217;t go in there.&#8221; He told me.<br />
&#8220;I recall hearing the ruckus, &#8221; I whispering back to him, wondering then where he had actually gone if not the bathroom. He leaned forward once more.<br />
&#8220;I would of  helped the guy, if it wasn&#8217;t for my heart.&#8221; He settled back into the booth.<br />
&#8220;Your heart?&#8221; I asked politely.<br />
&#8220;Yeah, &#8221; he said, taking his hands off the table and placing them down next to his sides. &#8220;My heart. That&#8217;s what the doctor says.&#8221;<br />
&#8220;Says what?&#8221; I asked. I wanted to know. What does this doctor say? The man gave me an appraising look , and then lifted up his shirt, exposing his bare chest.<br />
&#8221; I got a bruised heart. &#8221; He told me. Indeed, over the left side of the mans chest around where his heart should be and probably was, happened to be a large purple dark circle.<br />
He stared at me as I examined his bruise. A lock of his hair fell from under his cap&#8217;s brim, and with one hand he pushed it back.  Both Mongol and Kanine cocked their heads and looked too. I sighed at the sound of a swivel stool and rustle of movement. No matter how quiet one can be, someone is always listening, and those who listen usually hear.  A man across at the counter swiveled in his swivel stool and gazed at us, at the man with the pulled up shirt and bruised heart.<br />
&#8221; You got a bruised heart, man? &#8221; This other asked. My table companion turned, with shirt up exposed chest and bruised heart for all to see.<br />
&#8221; That&#8217;s what the doctor says. My heart is bruised. &#8221; He told the fellow. The newcomer to the conversation slid off his swivel stool and sauntered over. Reaching down, he pulled up his own shirt, a clean, suburban crisp white sweatshirt, long-sleeves.<br />
&#8221; Man, I was shot in the heart, see?&#8221; A small scar on the chest, over his heart, in roughly the same location as the other&#8217;s bruise, was pointed out.<br />
&#8221; Went in here and&#8230;&#8221; he twisted his torso craning his head over his shoulder stretching his neck and reaching behind his back to point at a blemish on his skin. &#8220;Came out here&#8230;&#8221;<br />
The two men with up-pulled shirts and bruised and wounded hearts stood gazing at each others hardships. Growlings of a subtle nature, clearly filled with danger and dislike, but only heard by my ears, emerged from the throats of both Mongol and Kanine and precipitated the arrival of a third man.<br />
Dressed too nicely, hair like a newscaster, oily slick, well tanned expression, and suavely smelling swank, I saw he had noticed Mongol and Kanine. He smoothly slid his legs out of their range. His gaze passed over me and turned full attention to the two heart hurt men. They returned his look, interested in the new audience, still with their shirts pulled up. The third man smiled ingratiatingly at them and presented a card.</p>
<p>&#8220;Allow me to introduce myself, &#8221; he said after another smile. &#8220;Walter P. Smelt, Heart Technician.&#8221; The bruised heart fellow let his shirt fall and took the card.<br />
&#8220;James Colchalk.&#8221; he stated.  The other man also let go, allowing his heart a covering.<br />
&#8220;Frank Lippenhammer, &#8221; he said.<br />
Walter P. Smelt  shook their hands, limply, wetly, soggy fried mushrooms drunkenly forgotten. For some reason, perhaps its proximity, they all seated themselves at my table. I politely and with smiles shifted over to make room. Mongol and Kanine kept themselves from being tangled up in the feet. Walter Smelt sat down last, gingerly sliding in, all the time leery of Mongol and Kanine&#8217;s presence.<br />
&#8220;What is a heart technician?&#8221; asked Frank, he really wanted to know. Walter folded and unfolded his hands, opened and closed his wet mouth, and answered, softly, with many pauses, told us.<br />
&#8221; I, well, I am a professional who, shall we say, specializes in affairs of the heart.<br />
&#8220;I have a bruised heart. &#8221; stated James.<br />
&#8220;And I was shot in mine, &#8221; Frank said again.<br />
&#8221; Of this I am aware, gentlemen, and would offer my services to you. Let me assure you I am a complete professional. &#8221; Walter reached into a black bag near his feet and pulled out a glass framed diploma resplendent with a series of graceful calligraphy, lines, stamps, ribbons and approvals, which he moved through the air from the bag, over the table, and back into the bag all in one seamless motion. My eyes had trouble tracking it. Frank and James accepted this simple signifier of officialdom, it was enough that Walter had a diploma.<br />
&#8220;What would I need help for?&#8221; asked James. &#8220;I&#8217;ve been fine ever since I first got the bruise. I just can&#8217;t put a strain on it any, like the doctor told me.&#8221; James toyed in his large hands the sugar dispenser, in which a stuck saltine cracker was lodged, sacrificing itself to absorb moisture in place of the sugar.  Frank nodded in accord with the words of James. Walter spoke.<br />
&#8220;Ah, that&#8217;s the rub, just don&#8217;t strain your heart, the doctor said. But this instruction has stopped you from performing a number of deeds, of certain feats.&#8221; Walter let his gaze slid slyly to the waitress in her cocktail dress and apron, and back to James. He leaned forward, his face close to James, &#8221; And it stopped you from intervening in the fight in the bathroom.&#8221;<br />
James couldn&#8217;t but help stare into the eyes of Walter P. Smelt. Maybe, perhaps, this Heart Technician had something there. James glanced at the waitress, twisted uncomfortably, and gave a quick sneak down towards the bathroom. Walter spoke again.<br />
&#8221; What would you have done if that had been your brother Ralph in the fight back there, your little brother Ralph, James?&#8221;<br />
&#8220;How do you know I got a brother?&#8221; James pointed out, confused. Walter simply continued, waving in his hand a stirring spoon, hot from the cup of coffee now sitting in front of him, a brew without sugar or cream.<br />
&#8220;With your bruised heart, James, &#8221; Walter pointed with his spoon, &#8221; you would have been in no condition to help Ralph, resulting in bodily harm committed against your small brother.&#8221;<br />
James pondered this image, his brother close to him. His brother was family, and family was all important to James. His wife Annabel, his son Robert, he would never let any harm befall them. Never. But, yet, if his heart failed him in a situation&#8230;..<br />
&#8220;They&#8217;re not gonna hurt my brother, Nor Annabel, Robert, never. &#8221; James mumbled darkly to the world, and clutched at his heart. At this unconscious and deeply concentrated action, Walter let slip a slight smile, which quickly hid behind the look of genuine concern. He focused now on Frank. Frank returned the gaze, then slowly opened his mouth.<br />
&#8216;Oh, no Doc, I don&#8217;t need anything. I&#8217;ve been to enough doctors, and they say I am doing just fine. Besides, its been years.&#8221; He grinned proudly and took a sip of his own coffee. The drops of cream he had added while at his counter seat had faded, allowing the drink to return to its unadulterated darkness. Walter P. Smelt simply sat and stared, tapping the end of a pen from nowhere against his head with staccato taps that indicated he did not think so.<br />
&#8220;Yes Frank. The doctors tell you are are fine. A specimen of health! But Frank, I have known doctors to be wrong. This wound was from three years ago, right?&#8221; Walter stated this pointedly, an odd, secret grin at the corners of his mouth.<br />
&#8220;Well, yes, three years but..&#8221; Frank started to say. Walter inserted himself back into conversation and control.<br />
&#8220;The entrance wound and exit wound may have healed awhile ago, but in the meantime the closures may have weakened, split, and come open again. Think about it, you haven&#8217;t been moving as fast these days. You find it harder to get up. And when you play racquetball, your a slowpoke! Even Evans is beating you. You used to be club champ!  It might be that in your case, Frank, your wounds have reopened, and your hearts fluids, the fluids of your hearts strength, have slowly been leaking out, making you weaker.&#8221; Walter leaned back, settling an arm across back behind him, resting confidentially on the booth back. Frank gave him a surprised look. The comment about his playing racquetball and how Walter knew Evans had beaten him slipped over his head as he pondered loose fluids.<br />
&#8220;Can that really happen?&#8221; he asked, worriedly feeling his heart beneath his shirt.<br />
&#8220;It has..been known to occur.&#8221; stated Walter.<br />
This new information struck a raw nerve in Frank Lippenhammer&#8217;s mind and stayed there. He&#8217;d been reigning champ at the club for the last two years, and only this year had been beaten by Evans, some yo-yo executive type Frank had whipped soundly in all their previous meetings on the ball court. But than, last time, Frank had been tired. He&#8217;d felt sluggish moving on the court, missed the easy balls. And there was the times after work. Times he used to get home and do stuff, call up Susan, catch a movie, go dancing, and than home again. Lately, he&#8217;d been to tired to do, well, anything. Frank hunched his shoulders and whispered to himself.<br />
&#8216;Yeah, that&#8217;s right. Not moving that fast. Missed the shots. Thought was just getting old..but I&#8217;m not that old..maybe&#8230;&#8221;<br />
Walter expanded his chest with a deep sigh.<br />
&#8220;Yes gentlemen. All these symptoms  can be indicators of deep trouble. The heart is a delicate instrument of the human condition. It requires precise tuning, and extreme care. Repairs, for the most part good, are often not good enough. The heart system is quite complicated,and that, gentlemen, is where I come in. I am a specialist. I have dedicated my life to this work. I guarantee one hundred percent success. You have but to peruse these case files and comments, written by past clients.&#8221; He accented, for his own worth, the word past. His hand merely indicated the files by lightly touching his black satchel as his feet.</p>
<p>Frank and James looked around and than at each other. Their hands were rubbing their chests, checking, making sure they could feel the beat of their hearts, feel that they were alive and strong. I scratched Mongol&#8217;s chest under his heartbeats. I could feel his heart, racing rapid and beating in anticipation. Walter gazed intently at the men with wounded hearts. The two looked to each other again, and looked away, looked at the walls, the south pacific decor, out the window. They weren&#8217;t looking anywhere. They were thinking about their conditions, about whether they were well or not. I saw in their eyes the doubt and fear that lurks behind all things, behind all situations no matter how stable. The fear and doubt and the truth that all is in fact in decay and dying. For them, life is a constant struggle not to slip down into the deep mire of despair, to stay out of which they would scramble for  any straw, any hold. They would even reach out to Walter P. Smelt. I was as sure of this as Mongol and Kanine were swift, that Walter P. Smelt knew this fact for himself as well. He sipped his coffee and managed to smack his lips. The noise he made was of assurance, self-assurance and slick-assurance. He leaned back from his coffee with a sigh.<br />
&#8220;Gentlemen, &#8221; his words flowed from his mouth, and they were words  for Frank and James&#8217;s ears only, and they heard them because they were now scared. Doubt and fear had settled upon them. They heard the words because they wanted the words to assuage their fears. And Walter P. Smelt was the one person who could do just that for them, for he was the one person to bring them these fears.<br />
&#8220;Gentlemen, &#8221; came the words out of Smelt&#8217;s sincere set face, &#8220;While it is true your heart conditions may have healed in the course of time.&#8221; Hope was in Frank and James&#8217;s eyes, but Smelt&#8217;s words rolled on. &#8221; There is a very good chance they have not.&#8221; In their seats, there in the diner, near downtown, the two men visibly slumped. Their coffee turned just a bit more cooler, and slightly more watery. Frank glanced around slowly, arching forward his chest and straightening his back.<br />
&#8220;Mr. Smelt, what do you suggest we do about our,&#8221;  and here he looked at James, &#8220;conditions?&#8221;<br />
James nodded over his coffee, eyes to the Formica tabletop, scratched with knife scratches and unvanished stains. Smelt smiled and I felt muscles tighten under my hand as I tried to calm Kanine. Mongol continued a low growling rumble in his throat. I wondered if I should beckon the waitress to come take an order, maybe break Smelt&#8217;s lines into Frank and James. Smelt spoke before I had the chance.<br />
&#8220;James, Mr. Lippenhammer. I happen to offer for free- there are no strings attached, &#8221; Both Mongol and Kanine sudden twitch caused me to splurt into my coffee I was at the moment raising to my lips. Small brown droplets fell onto the paper place-mat in front of me, a map depicting  south sea islands, blotting out  certain islands and staining  parts of the blue sea a near red. And Smelt continued.<br />
&#8220;For free, one preliminary examination which will successfully measure the necessity for introduction or lack of, further treatment. &#8221; Smelt settled back into his well worn groove.</p>
<p>Frank and James listened to this. Once again they looked to each other, down at the table, and back up. Free of course was what they wanted. But free to them, in various negotiations, had always had a price. Both men had found it hard to accept free samples for fear there had to be a catch. The only thing free for them was  a 1-800 number, and even then  those on the other end always wanted you to buy a product or service. Both were skeptical and Smelt sensed this.<br />
&#8220;I&#8217;ve  just recently set up my business in this town. &#8221; He reasoned them, &#8220;and the best way to gain clients has been through word of mouth, through people telling people, friends telling friends.&#8221; At his stressing of the word friends Frank and James clutched at their perspective woundings. And Smelt clenched his own fist, because in it he now had both men. Frank dragged his eyes up from the black despair of his coffee to try and meet Smelt&#8217;s eyes.<br />
&#8220;How might we go about setting up this free..check-up of yours? &#8221; He asked quietly.<br />
Smelt&#8217;s order had arrived, appearing as if called forth by his hungry stomach, a plateful of chicken-fried steak and biscuits. Gravy melted on-top like lava. He was set to eat, and had only to add the condiments.<br />
&#8221; I just came from the office, and was having a drink when I overheard your conversation. I have everything with me here.&#8221; He took his satchel onto his lap and opened it up, looking at the two men at my table with a smile. &#8220;Bring the work home with me..&#8221; he said, and withdrew a document.<br />
&#8221; Just sign this appointment sheet. You have but to pick a convenient time.&#8221; He handed the sheet to James and proffered a pen. James paused, examined the sheet, took the pen and scrawled his name. Frank followed suit. Smelt plucked the pen back as soon as Frank had signed, and gave a complete grin, a grin that grew revealing teeth as he examined their names. He handled the paper with a soft reverence, placing the document not back in his satchel but carefully rolling it up and placing it inside his jacket. Before he&#8217;d rolled it up, I&#8217;d caught a glance of those appointments. All the dates  were the same, all were today&#8217;s date. Smelt patted his coat.<br />
&#8221; Well friends, &#8221; and I didn&#8217;t think I was included, &#8221; I will expect you then..&#8221;<br />
&#8221; Yes, &#8221; said Frank.<br />
&#8220;We&#8217;ll see you, &#8221; said James.<br />
Walter just grinned his grin at them through the steam of his coffee which was somehow hot again, or had just never gotten cold.<br />
&#8221; It should all work out fine, I&#8217;m sure it will, &#8221; he told them, placated them. I was sure too, and Mongol and Kanine were sure.<br />
&#8220;Frank, James, &#8221; Smelt told them happily, &#8221; Really, it doesn&#8217;t appear serious right now, though it could be. This check-up is just to make sure. It&#8217;s always better to know, than  to not know.&#8221;<br />
And Smelt knew something, and I was beginning to get an inkling of that knowing. Smelt had gotten them to sign his appointment sheet. I knew he would hold them to that appointment. Frank and James had grown silent. I didn&#8217;t think they knew, or would ever know. Smelt stood and stretched.<br />
&#8221; I came by for a drink, now that my work is done. How about I buy you fellows a round!&#8221; Smelt started towards the back, towards the dark room where drinks were served, a dimly lit grotto called the Reef, where many are washed and wrecked and trapped. Frank and James arose from my table and followed Smelt&#8217;s lead. They spoke not a word, there was no look in their eyes and their hands clutched mechanically to their hearts. I think, I thought, I knew that their conditions had been taken care of now. I watched their tracks till they entered the dimness of the Reef.</p>
<p>Kanine and Mongol wanted to follow, but I held them back. I knew we could only now wait. Another method would be needed. I sipped my coffee which was a warm brown now that I had added cream, and sweet for the sugar in it. I fed the last of the snagged soup crackers to Mongol and Kanine. They were saltine crackers, though fresher than the ones in the sugar dispenser, and the two of them began to get thirsty.</p>
<p>I sat back, watching the door to the bar. Actions began to slow, movements, placement of hands, softened sounds and softened lights. It took many minutes to choose  a song for the jukebox. A simple order of fries never appeared to arrive. Coffee vanished slower than its caffeine kick implied. Perhaps the fan stopped. A change occurred all began to speed up to normal, but none had realized how slow it had been. Walter P. Smelt emerged alone from the Reef. I stood up to pay my bill. I did not think if I looked to the Reef that either James with his bruised heart and thoughts of family, nor Frank Lippenhammer with his shot heart and fears of loss, would be there. I would find only Smelt&#8217;s smile, which he flashed me as as he passed me going out the door. I doubt he had even tipped. I paid and picked up a toothpick, holding my two companions tight.</p>
<p>Outside I found Smelt standing off the curb on the black asphalt of the road smoking a cigarette I had not seen him light. Mongol and Kanine strained. I kept a steady expression and watched Smelt&#8217;s face. His smoke hung around him. He was feeling good.<br />
&#8220;Nothing like a job well done. &#8221; He grinned at me, white teeth inhaling vapor.<br />
&#8221; Nothing, &#8221; I said in bland agreement. Mongol and Kanine&#8217;s soft growls grew in intensity, and their muscles twitched and tensed. Smelt, seeing them, being one of the few who could, frowned down from his impenetrable stance.<br />
&#8221; Keep your damn dogs away from me.&#8221; He said. I looked at him.<br />
&#8220;They aren&#8217;t my hounds..&#8221; I told him, and let my companions go. They leapt for Smelt, whose face turned to sudden fear as his cigarette fell to the ground, the dogs on top of him. They toppled him and he struggled his arms and feet as they got him where no others could. They tumbled into the side alley. In the churning ball that was their fight, I caught a flare of flame, a fire inside his coat. I looked for his fallen cigarette, left on the ground, and turned my back of the fading, flailing sounds and started a slow, steady stride away from the diner, walking back, on one of those nights, back to the heart of the city.</p>
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		<title>In the Arms of the Black Madonna</title>
		<link>http://www.postpoppulp.org/magazine/author/james-lambert/110/in-the-arms-of-the-black-madonna</link>
		<comments>http://www.postpoppulp.org/magazine/author/james-lambert/110/in-the-arms-of-the-black-madonna#comments</comments>
		<pubDate>Wed, 11 Sep 2002 12:01:01 +0000</pubDate>
		<dc:creator>ktoffler</dc:creator>
				<category><![CDATA[James Lambert]]></category>
		<category><![CDATA[Stories]]></category>

		<guid isPermaLink="false">http://postpoppulp.org/magazine/uncategorized/110/in-the-arms-of-the-black-madonna</guid>
		<description><![CDATA[Icon Paranoia Yeah, all right so I was drinking a half empty beer someone had left unfinished on the table. I was running a little low on cash. But it didn&#8217;t really matter. Not in Prague, not in the salon of the Marquis de Sade. I sank back into the red velvet couch and nursed [...]]]></description>
			<content:encoded><![CDATA[<p><i>Icon Paranoia</i>
<p STYLE="margin-bottom: 0in">Yeah,<br />
all</p>
<p>right so I was drinking a half empty beer someone had left<br />
unfinished on the table. I</p>
<p>was running a little low on cash. But it<br />
didn&#8217;t really matter. Not in Prague, not in</p>
<p>the salon of the Marquis<br />
de Sade.
</p>
<p STYLE="margin-bottom: 0in">I<br />
sank</p>
<p>back into the red velvet couch and nursed my adopted beer<br />
waiting for the next</p>
<p>abandoned beverage to make itself known. And<br />
that&#8217;s when the guy across the table</p>
<p>leaned forward and told me his<br />
problem.</p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;She&#8217;s<br />
gone. I&#8217;ve come so far, but she&#8217;s</p>
<p>gone.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
nodded and glanced at his glass. Quarter full. Not worth my<br />
attention. I</p>
<p>took another swallow of  my second hand beer.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Gone,&#8221;<br />
he</p>
<p>repeated.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;It<br />
happens.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;You<br />
don&#8217;t understand.&#8221;</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>He<br />
was right. I didn&#8217;t understand. And frankly I didn&#8217;t want to.</p>
<p>Had<br />
problems of my own. Couldn&#8217;t quite put my finger on what exactly<br />
these</p>
<p>problems were, but I had some, of that I was sure. Beyond not<br />
having any money, that</p>
<p>is, but like I said, that wasn&#8217;t a problem.<br />
Not in Prague. Not on the cusp of the new</p>
<p>Millennium. Not if you<br />
didn&#8217;t mind drinking other people&#8217;s</p>
<p>beer.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;The<br />
cage was there, but she wasn&#8217;t in it.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Cage?<br />
Damnit, now he</p>
<p>had me interested. I probably shouldn&#8217;t have been<br />
surprised at the direction the</p>
<p>conversation had taken, after all we<br />
were in the Marquis de Sade. Even so I gave the</p>
<p>guy a good long look.<br />
Late twenties, skinny, horn-rimmed glasses with coke-bottle</p>
<p>lenses.<br />
Didn&#8217;t appear the type to be putting women in cages, but perhaps</p>
<p>that<br />
depends more on the tastes of the lady involved. </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;I<br />
don&#8217;t know if</p>
<p>I&#8217;ll ever find her now.&#8221; </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;When<br />
did you last see her?&#8221; I</p>
<p>asked.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>He<br />
shook his head.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;I&#8217;ve<br />
never seen her, except in sketches. And my</p>
<p>dreams.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Never<br />
seen her? What was this guy going on</p>
<p>about?</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Never<br />
seen who?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;The<br />
Black Madonna.&#8221; He spoke her title in a</p>
<p>reverential tone.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>The<br />
Black Madonna? It seemed absurd but no more than a Latvian</p>
<p>Elvis.<br />
Unbidden, my mind threw up images of a black woman in a blonde wig<br />
singing</p>
<p>&#8216;Like a Virgin&#8217; from within a go-go girl cage. I had never<br />
heard of such an act, but</p>
<p>then that wasn&#8217;t exactly my scene. </font></font>
</p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>So<br />
this guy was a desperate fan in search</p>
<p>of his idol. </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Maybe<br />
I can help you find her. My name is Thomas Twinnings. I&#8217;m a</p>
<p>private<br />
detective.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>We<br />
shook hands, his grip firmer than I had expected</p>
<p>given his bookish<br />
appearance. He introduced himself as Kyle Lewiston, a scholar</p>
<p>of<br />
religious relics. He begged me to begin at once, agreeing immediately<br />
to my</p>
<p>terms. </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Before<br />
I start I&#8217;ll need the retainer fee up front in dollars,&#8221; I</p>
<p>told<br />
him, signaling to Magda, the nineteen year-old barmaid, for</p>
<p>two<br />
beers.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;I<br />
haven&#8217;t the cash on me. I&#8217;d need to visit a bank</p>
<p>first.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>Magda<br />
arrived with the beers. One for me and for my new client. I</p>
<p>was<br />
feeling like a big shot.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;Please.<br />
I want you to begin your investigation at</p>
<p>once.&#8221; He reached into<br />
his front pants&#8217; pocket and pulled out a couple of folded</p>
<p>Czech bank<br />
notes. &#8220;Here, I have three thousand. Start immediately and it&#8217;s<br />
yours.</p>
<p>The rest I&#8217;ll get for you later today.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>I<br />
pocketed his money just as Magda brought</p>
<p>the beers. Then I took my<br />
time, savoring the texture of my virgin beer. Even so I</p>
<p>finished well<br />
ahead of Lewiston the scholar. He claimed that he hadn&#8217;t wanted</p>
<p>a<br />
beer to begin with as he rose hurriedly to his feet.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;It&#8217;s<br />
bad luck to</p>
<p>leave an unfinished beer,&#8221; I insisted as I downed<br />
the remainder of his beer.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
slipped Magda a thousand crown note and left before receiving the<br />
change.</p>
<p>Not that there would be much left after settling up my long<br />
running tab, but it was</p>
<p>the impression that counted. </font></font>
</p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>Lewiston<br />
led the way. He headed left,</p>
<p>walking past a tiny park and into a<br />
short alley. A passageway led from the alleyway</p>
<p>through to Celetna<br />
Street. As we stepped out into the street the beers I had</p>
<p>recently<br />
downed and the sudden open space left me feeling strangely<br />
disassociated</p>
<p>from my limbs. Were those my feet at the end of these<br />
long rickety legs? Eyes down I</p>
<p>charted my advance with knees ready to<br />
buckle. Were it not for my preoccupation with</p>
<p>proper appearances, I&#8217;d<br />
have almost certainly staggered. Instead I flung my right arm</p>
<p>around<br />
Mr. Lewiston&#8217;s scrawny shoulder. He was stronger than he looked,<br />
taking my</p>
<p>added weight without faltering.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;We<br />
are heading to her cage,</p>
<p>right?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Yes,<br />
see? There it is.&#8221; </font></font>
</p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>I<br />
tried to follow his gesture, though that</p>
<p>meant taking my gaze from<br />
the ground. &#8216;Don&#8217;t look up&#8217; my stomach warned but there</p>
<p>was a job to<br />
do. My vision took in a circular kiosk from which</p>
<p>cigarettes,<br />
newspapers and magazines were sold. Just then a school of</p>
<p>Italian<br />
students swam into view. The wake of their passage buffeted my sense<br />
of</p>
<p>balance and space and were it not for my grip upon Kyle&#8217;s<br />
shoulders the turbulence</p>
<p>might very well have knocked me off my feet.<br />
Then the Italians paused in place,</p>
<p>surrounding us. Even while<br />
hovering in place their gills moved ceaselessly. So too</p>
<p>their<br />
fore-fins, with which they held themselves in place by means of wide<br />
sweeping</p>
<p>motions. Indeed were it not for my familiarity of the<br />
phenomena I might have been</p>
<p>tempted to interpret the extensive fin<br />
movement as being a form of communicative</p>
<p>gesturing and that of the<br />
gills as being equivalent to speech. Such an interpretation</p>
<p>would<br />
naturally be quite absurd. The school was itself a single organism.<br />
Were an</p>
<p>individual unit to somehow find itself separated from its<br />
fellows it would still</p>
<p>maintain contact with the mass mind, its<br />
apparent individuality being only</p>
<p>illusionary.  </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Lewiston<br />
shook me back to my self. Saliva was dripping  from my chin</p>
<p>as my<br />
digestive system ran through the procedure leading to regurgitation.<br />
Pulling</p>
<p>a package of paper tissues from my pants&#8217; pocket I used one<br />
to wipe away the saliva</p>
<p>while simultaneously swallowing back the<br />
gurgle of stomach acid climbing up my throat,</p>
<p>aborting  the ejection<br />
procedure at the last possible moment.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>He<br />
pointed again.</p>
<p>Evidentially he was indicating the building beyond the<br />
newspaper kiosk. I managed to</p>
<p>hold my head level, though my vision<br />
threatened to tilt away either to the left or the</p>
<p>right on neck<br />
muscles turned to rubber. I saw that he was indicating the</p>
<p>cubist<br />
building at the corner of Celetna and Ovocny trh. The Italians<br />
clearly</p>
<p>recognized this as well. Their group mind apparently took<br />
Kyle&#8217;s finger pointing</p>
<p>towards the building as an indication that the<br />
cubist building was an object of</p>
<p>interest. In a sudden burst of<br />
orchestrated flow the entire school darted towards the</p>
<p>building and<br />
into the bookstore which took up most of the ground floor. And</p>
<p>then<br />
they were gone and the open street lay deserted and silent. A nearby<br />
grilled</p>
<p>klobasa salesman stood mute and motionless beneath the<br />
umbrella shading his wagon.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
felt an unbearable bubble of recognition build just beneath the<br />
epidermis</p>
<p>of my conscious mind as I took in the significance of the<br />
sign above the bookstore&#8217;s</p>
<p>door. It read: U ?ern? Matky Bo??.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>Though<br />
I had lived in the Czech Republic</p>
<p>nearly a decade, I had yet to gain<br />
more than a rudimentary understanding of the</p>
<p>language. Yet the sign<br />
begged to be deciphered. I knew that the U indicated At or</p>
<p>Near. The<br />
word ?ern? meant black. Matky was clearly mother, while Bo??<br />
was a</p>
<p>form of the word God. The endings of the words had something to<br />
do with esoteric</p>
<p>issues of grammar which were well beyond my ability<br />
to decode. Then I saw the cage</p>
<p>attached to the corner of the building<br />
about ten feet above the street. The cage was</p>
<p>empty.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>Something<br />
was just not right.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>The<br />
cage, the sign, Mr. Lewiston&#8217;s</p>
<p>profession as a scholar of religious<br />
relics, his quest for the Black Madonna, all were</p>
<p>pieces of the<br />
enigma of which I was somehow a part. I felt the unmistakable</p>
<p>shudder<br />
of recognition presaging an imminent epiphany. The Black Mother of<br />
God, the</p>
<p>empty cage, the missing stripper. And then the door to the<br />
bookstore door flew open ,</p>
<p>disgorging a profusion of Italian<br />
students. It was just the break I needed. This</p>
<p>missing person case<br />
was turning weird and I was in a hurry to get it over with. Better</p>
<p>to<br />
solve it now and to get paid for a full three days than to let it<br />
stretch out</p>
<p>into an actual ongoing investigation. Not that I minded<br />
the idea of conducting a real</p>
<p>investigation, that wasn&#8217;t what was<br />
bothering me. No, it was my lack of a secretary,</p>
<p>an office, or even a<br />
telephone that had me feeling a bit insecure. How would it look</p>
<p>if my<br />
client were to discover just how low my overhead was?</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Not<br />
to worry, I had</p>
<p>just had a brainstorm. I took my arm from around Mr.<br />
Lewiston&#8217;s shoulders, my legs</p>
<p>were once more fully my own. I pointed<br />
to the cage.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;That&#8217;s<br />
where you</p>
<p>expected to find her, right?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;Well,<br />
yes. According to the French author Marie</p>
<p>Durand-Lef?bvre this<br />
site ?&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Save<br />
the history lesson for another time.</p>
<p>Right now let&#8217;s just go into<br />
this bookstore and see what they can tell</p>
<p>us.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;I&#8217;ve<br />
already tried that.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;So<br />
what did they tell</p>
<p>you?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Nothing.<br />
They said that they didn&#8217;t know anything about</p>
<p>it.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>	&#8220;So<br />
we will ask them again. At least I will. It&#8217;ll probably go better</p>
<p>if<br />
they don&#8217;t see you with me.&#8221; I pointed back to the passage<br />
through which we had</p>
<p>come. &#8220;My friend Gabriel runs an African<br />
shop right over there. Tell him I sent you.</p>
<p>He&#8217;ll make you feel at<br />
home.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>I<br />
thought that that would be the end of it,</p>
<p>but Lewiston turned and<br />
gestured for me to follow him into the passage. The street had</p>
<p>come<br />
back to life, subtly and pervasively. A troupe of Hare Krishna&#8217;s wove<br />
and</p>
<p>spun while chanting their chant and playing bells and<br />
tambourines. I got out of their</p>
<p>way, ducking into the passage after<br />
Lewiston.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;I<br />
need to warn you.</p>
<p>Yes to warn you. There is something that I must<br />
tell you. It was wrong for me to</p>
<p>involve you in this. When we first<br />
met I had thought that you might be the one I&#8217;ve</p>
<p>been told to find,<br />
but now I fear that I was mistaken. But it is not yet too late</p>
<p>for<br />
you to escape the dark fate that awaits.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Great,<br />
this was just</p>
<p>what I didn&#8217;t need, a client flirting on the edge of<br />
acute</p>
<p>paranoia.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Don&#8217;t<br />
worry yourself over nothing. No mystery here. These statues</p>
<p>get taken<br />
to be cleaned and restored all the time. I&#8217;m just going to go and</p>
<p>see<br />
what they have to say in the bookstore. You go on into the African<br />
shop,&#8221; I</p>
<p>pointed to the door of Gabriel&#8217;s shop from whose open<br />
doors rolled the rhythms of Bob</p>
<p>Marley. &#8220;Go on.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Lewiston<br />
went. I turned and made my way across the street. The</p>
<p>inside of the<br />
bookstore was much I had imagined in. Guidebooks and art books,</p>
<p>with<br />
a section of bestsellers in English and German. I took out a hundred<br />
crown</p>
<p>note and passed it to the counter girl, asking her what she<br />
could tell me about the</p>
<p>Black Madonna.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;I&#8217;ve<br />
been working here a year and I&#8217;ve never seen this madonna</p>
<p>thing.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>An<br />
older woman sitting behind the counter snorted. She was eating a<br />
pastry</p>
<p>of some sort. Saying something that sounded horribly rude she<br />
made a twisted face and</p>
<p>then spat on the floor in my general<br />
direction. Then said something to the counter</p>
<p>girl. Rather shyly the<br />
young woman began to translate what had been</p>
<p>said.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;It<br />
used to be outside in the cage, she says that it was an awful thing.<br />
She</p>
<p>used the words &#8216;cerna potvora&#8217; which means,&#8221; at this this<br />
counter girl paused and a</p>
<p>bit of red touched her cheeks, &#8220;black<br />
woman who is not very nice. And then one day</p>
<p>about two years ago it<br />
just disappeared. And she says that she is glad that it is</p>
<p>gone.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
peeled another hundred from my roll for the old woman but she refused<br />
it.</p>
<p>I shrugged and turned to leave when the older woman yelled more.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Enjoy<br />
your stay in</p>
<p>Prague,&#8221; was the counter girl&#8217;s hurried<br />
mistranslation. I heard the woman scolding</p>
<p>her over the ringing on<br />
the chime as I opened the door and</p>
<p>left.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
had understood the older woman well enough</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Nech<br />
ji na</p>
<p>pokoji.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Leave<br />
her alone.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>There<br />
was an entrance to the cubist gallery</p>
<p>next to the bookstore. The<br />
times on the door said 9:00 &#8211; 18:00 and my watch showed the</p>
<p>time as<br />
quarter to six, but the grating was chained shut.</p>
<p>Typical.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Back<br />
outside the African shop a woman wrapped deep in a shawl sat</p>
<p>under an<br />
arch way. Head bowed, all features hidden, she cradled a bundled<br />
infant</p>
<p>with one arm, her other hand extended, palm up. I stepped over<br />
her and continued into</p>
<p>Gabriel&#8217;s shop. </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>African<br />
drums, jewelry and fetishes lined the shelves.</p>
<p>Gabriel sat behind the<br />
counter drinking a cup of coffee. He looked like he always</p>
<p>looks,<br />
dreadlocks, black sunglasses, smiling like a Cheshire</p>
<p>cat.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Tom??,<br />
my friend. Good it is to see you.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>A<br />
quick glance around</p>
<p>the small shop showed that Lewiston wasn&#8217;t in the<br />
showroom.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;I<br />
sent a client of</p>
<p>mine here. You haven&#8217;t seen him, have you?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Gabriel<br />
began his</p>
<p>characteristic chuckle and I knew that sending Lewiston<br />
here had been a big</p>
<p>mistake.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Yes<br />
Mon, your friend was here. He explained his problem to me, and</p>
<p>that<br />
was good, cause I under ? stand what it is that this man</p>
<p>need.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Now<br />
wait a minute! Mr. Lewiston is my client and</p>
<p>?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;And<br />
what? The way Kyle tells it, you already squeeze him for</p>
<p>three<br />
tisic.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Kyle?<br />
Trust Gabriel to get on first name basis with my lunch</p>
<p>ticket.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Look,<br />
Mr. Lewiston and I have an agreement.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Who<br />
you fool here,</p>
<p>Mon? No contract, no agreement. You do no even have<br />
office. Look Tom??, about</p>
<p>business, this isn&#8217;t. You ?<br />
please, my friend, sit</p>
<p>down.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>He<br />
point to a hand crafted turtle chair, whose raised head on a<br />
serpentine</p>
<p>neck served as a back rest. I took the seat to find it<br />
more comfortable than it</p>
<p>appeared, but not by much.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;Tom??i<br />
listen to me. You damn good at what you</p>
<p>do. But this is no to help<br />
some rich mother and father to find their babies who hide</p>
<p>in Prague.<br />
This matter of one man&#8217;s spiritual pain and theological confusion.</p>
<p>It<br />
just no in your region of comprehension.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
wanted to argue</p>
<p>with him, but I just wasn&#8217;t sure what exactly he was<br />
talking</p>
<p>about.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;But<br />
when I find the statue ?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;You<br />
never find Her!</p>
<p>That what I waste my time to try to tell you, Mon.<br />
You never find Her cause you no</p>
<p>know how to look.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Bullshit.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>Gabriel<br />
only broadened his smile. He pointed outside,</p>
<p>towards the bookstore.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;So<br />
look and tell me what you</p>
<p>see.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>What<br />
did I see? Not much, what with all the wind chimes and clothes<br />
hanging</p>
<p>in the way. The beggar was still huddled beneath the archway<br />
coddling her young</p>
<p>accomplice. Beyond them groups of tourists passed<br />
back and forth between the cubist</p>
<p>building and my line of sight. </font></font>
</p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;I<br />
don&#8217;t see anything worth commenting</p>
<p>on.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>And<br />
I didn&#8217;t. I&#8217;d grown more than tired of Gabriel and his game. I got<br />
off</p>
<p>of the damn turtle and was about to part the curtain of beads<br />
that served as the</p>
<p>curtain between front room and back when Gabriel<br />
put up a restraining</p>
<p>arm.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;No<br />
Mon, you no want to do that. That be the veil between worlds. You<br />
reach</p>
<p>through there and things never be the same. Never.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
gave him my cold</p>
<p>eyed stare but he may as well have been blind behind<br />
his black sunglasses for all the</p>
<p>reaction he gave the look.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;Kyle,&#8221;<br />
he called to the backroom. &#8220;Come out and talk</p>
<p>to your private<br />
detective before he start to damage up my</p>
<p>merchandise.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Lewiston<br />
stepped through the curtain of beads into the showroom. He</p>
<p>looked at<br />
me guiltily.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;I&#8217;m<br />
sorry, I was wrong to involve you. Your friend</p>
<p>Gabriel has<br />
demonstrated that you are clearly not the man I had mistaken you</p>
<p>for.<br />
That being the case I am no longer in need of your</p>
<p>services.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;That&#8217;s<br />
your decision to make, but there is the matter of my</p>
<p>retainer. Three<br />
hundred dollars cash minus the three thousand crowns you&#8217;ve</p>
<p>already<br />
paid. I normally wouldn&#8217;t have even stepped out of the Marquis&#8217;<br />
without</p>
<p>it. Don&#8217;t forget that you wouldn&#8217;t have met my &#8216;friend&#8217;<br />
Gabriel had I not led you</p>
<p>to him.&#8221; Like an idiot, I reminded<br />
myself. </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
was half expecting</p>
<p>the little bookworm to swell his chest and give me<br />
an, &#8220;And if I don&#8217;t?&#8221; But he</p>
<p>didn&#8217;t. Instead he simply<br />
shrugged again.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Ok,<br />
I&#8217;ll pay. I&#8217;ll</p>
<p>just go to the bank and bring back -&#8217;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;No,&#8221;<br />
I corrected him, &#8220;we&#8217;ll go to the</p>
<p>bank together, you and me.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>I<br />
rushed him out of the African shop leaving Gabriel</p>
<p>smiling and<br />
apparently unperturbed at his place behind the counter. The day<br />
outside</p>
<p>was noticeably warmer. The gypsy with her baby had moved on.<br />
The path we took to the</p>
<p>bank ran along the front of the cubist<br />
museum.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Lewiston<br />
had the gall</p>
<p>to ask if I had ever seen the Black Madonna.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;I<br />
suppose I</p>
<p>must&#8217;ve. But I&#8217;m not much for looking up with my neck all<br />
stretched out of shape.</p>
<p>That&#8217;s for tourists. So maybe I&#8217;ve seen it,<br />
but if so it hasn&#8217;t exactly stuck in my</p>
<p>mind.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>Lewiston<br />
nodded as though what I said was a confirmation of one of his</p>
<p>pet<br />
theories.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;That<br />
is exactly I had thought. Consider how strange it is that you</p>
<p>can&#8217;t<br />
recall this most unique statue. Extravagantly baroque with a gold<br />
crown upon</p>
<p>her head and the infant Jesus within her lap, she should<br />
have been unforgettable in</p>
<p>her gilded cage. But instead she was all<br />
but invisible. Why?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
started to explain</p>
<p>that about the only landmarks I consciously<br />
recognized were a pair of golden arches</p>
<p>when I noticed a certain<br />
glassy look to eyes. Humor him, I reminded</p>
<p>myself.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;I<br />
don&#8217;t know, because she was black?&#8221; </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;No,<br />
her blackness</p>
<p>should have made her all that more obvious. It is</p>
<p>the<br />
building.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>The<br />
building? We stopped walking and I gave the squat five storied</p>
<p>cubist<br />
structure a careful study. The building gave the impression of having<br />
been</p>
<p>formed from a single block of beige sandstone. Large square<br />
slabs had been removed to</p>
<p>make way for the windows. Each of the<br />
windows had side panels, folded inward at a</p>
<p>forty-five degree angle<br />
as though to artificially exaggerate the illusion of</p>
<p>perspective. The<br />
fourth story was decorated with stunted columns between windows.</p>
<p>The<br />
addition of this classical element lent the building an air of the<br />
absurd as it</p>
<p>stared outward with bulging windows faceted like quartz<br />
crystals.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;What<br />
is it with this building?&#8221; For indeed there was something<br />
decided</p>
<p>unsettling about the whole structure. The angles were all<br />
wrong, not quite cubic at</p>
<p>all.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;You<br />
have to realize that the original topology has been altered. The<br />
Black</p>
<p>Madonna was originally attached to a seventeenth century<br />
building once located over</p>
<p>there.&#8221; Lewiston pointed to the<br />
location of Gabriel&#8217;s shop. &#8220;The house was a</p>
<p>grotesque example<br />
of the baroque, complete with twin copper cupolas of emerald</p>
<p>green.<br />
At that time both the stature and the house were known as Our Lady<br />
Behind</p>
<p>the Grille for, in a very real sense, she and the house were<br />
one. An aura emanated</p>
<p>from her statue, an aura, which the shape and<br />
structure of the house amplified and</p>
<p>strengthened.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;How<br />
do you know so much about the house?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;How?<br />
One of my</p>
<p>ancestors designed it. He belonged to an underground order<br />
of Templers. It was no</p>
<p>coincidence that the house occupied the same<br />
piece of land as had a vast Templers</p>
<p>estate centuries earlier. Nor is<br />
it a coincidence that it was the Templers who</p>
<p>imported the cult of<br />
the Black Madonna from Jerusalem to Europe. The patron saint</p>
<p>of<br />
midwives, she was said to revive stillborn infants long enough for<br />
baptism so as</p>
<p>to save them from damnation. Such activities were<br />
viewed as threatening by members of</p>
<p>the orthodoxy, many of whom,<br />
though they would never have admitted it publicly,</p>
<p>considered the<br />
Black Madonna to be demonic.&#8221; </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Lewiston<br />
turned his</p>
<p>feverish gaze upon me fixing me where I stood before the<br />
cubist house. Again the</p>
<p>street seemed deserted except for the two of<br />
us.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;And<br />
how does one go</p>
<p>about binding a demon?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>He<br />
was asking me? Like I was supposed to know or</p>
<p>something. Three<br />
hundred US dollars wasn&#8217;t worth this kind of madness ? Well</p>
<p>that<br />
wasn&#8217;t exactly true. Three hundred dollars with the exchange rates<br />
what they</p>
<p>were ?</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;I<br />
don&#8217;t know, draw a pantagram around it I</p>
<p>guess.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Yes<br />
well, that at least was the method we&#8217;ve been led to believe</p>
<p>medieval<br />
demonologists used. But chalk marks on the floor bind only the</p>
<p>most<br />
ephemeral of demons. A demon such as the black virgin would never<br />
have been</p>
<p>confined by such a blatantly two-dimensional method of<br />
manipulation. Rather one would</p>
<p>need to translate the magical<br />
schematic into the material</p>
<p>plane.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>He<br />
pointed accusingly at the hulking cubist house.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;That<br />
is your</p>
<p>pentagram.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;What?<br />
This building?&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>	&#8220;The<br />
Black Madonna is a creation of</p>
<p>curves and spheres. Imprisoned within<br />
a cell attached to this box-like structure, her</p>
<p>powers were blocked.<br />
Powerless she was bound to this incantation written in</p>
<p>stone.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>	Remember,<br />
I told myself, humor him. </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Well<br />
yes, I guess I</p>
<p>see what you mean. And not imply that this hasn&#8217;t all<br />
been very enlightening, but the</p>
<p>banks here are not the most service<br />
oriented in the world. Maybe we could continue</p>
<p>this part of the tour<br />
some other time?&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>Lewiston<br />
ignored me, sneering at the cubist</p>
<p>building before him.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;But<br />
now she&#8217;s free,&#8221; he said, turning away from the</p>
<p>house at last.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>My<br />
fears concerning banking hours were well justified, for by the</p>
<p>time<br />
we arrived the bank was closed.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Look,<br />
I have traveler&#8217;s checks,&#8221; Lewiston</p>
<p>offered.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;They<br />
pay traveler&#8217;s checks in crowns. Getting them changed to</p>
<p>dollars is<br />
expensive and a pain in the ass. That&#8217;s why I insist on dollars.</p>
<p>If<br />
dollars were cheap and easy to get that would be a different story.<br />
But they</p>
<p>aren&#8217;t and so it isn&#8217;t. Get it?&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Sure<br />
I get it.&#8221; A sudden change came over</p>
<p>Lewiston. It was as though<br />
everything up until this point had been an act and now he</p>
<p>was free to<br />
show himself as he truly was. A prick. &#8220;Here&#8217;s the best I can do<br />
for</p>
<p>you. Find the Black Madonna by tomorrow morning, call me at this<br />
number and I&#8217;ll get</p>
<p>you the rest of your fee along with a decent<br />
bonus. Otherwise, consider yourself</p>
<p>already paid in full.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>Damn,<br />
no way, I was losing three hundred green. I</p>
<p>could see it slipping<br />
away. </font></font>
</p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Wait.<br />
Ok, look traveler&#8217;s checks sound</p>
<p>fine.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;No,&#8221;<br />
he said backing away and raising his hands. &#8220;Find her or forget<br />
the</p>
<p>cash.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Find<br />
who?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;The<br />
Black Mother of God.&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;What?<br />
The statue?</p>
<p>It&#8217;s in some god-damn museum somewhere.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Then<br />
it should be easy enough for you to</p>
<p>find.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>And<br />
then he turned and left me standing there outside the bank with</p>
<p>his<br />
hotel&#8217;s phone number in my hand. Like I said, three hundred green<br />
slipping</p>
<p>through my fingers. No way I was going to find anything in<br />
the museum&#8217;s bureaucracy.</p>
<p>I didn&#8217;t have enough cash to throw around.<br />
And besides, Gabriel was right. I just</p>
<p>didn&#8217;t know how to look, let<br />
alone where.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Walking<br />
back to the</p>
<p>Marquis de Sade I came across the same woman begging with<br />
her child. The sky was a</p>
<p>long tan dusk. She and her child sat with<br />
the shadow of the dying day, faces hidden,</p>
<p>the mother&#8217;s hand palm up.<br />
I had to admire her persistence. Not that persistence had</p>
<p>ever done<br />
me any good, but that didn&#8217;t mean it shouldn&#8217;t be rewarded. I</p>
<p>handed<br />
the woman a hundred crown note which she took with stiff and</p>
<p>clumsy<br />
fingers.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>As<br />
I walked away she called out to me.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;?ern?<br />
Matka</p>
<p>Bo?? ?ek? na V?s&#8221;.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;What?&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>I<br />
turned back. As she struggled to rise,</p>
<p>using a nearby door handle to<br />
pull herself to her feet, the bundled infant slipped</p>
<p>from her lap<br />
landing heavily on the pavement without complaint.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Poj?<br />
sem,&#8221; she called and then disappeared into the night, heading<br />
down a</p>
<p>nearby back street.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;WAIT,<br />
your baby!&#8221; But she was gone from</p>
<p>sight.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
looked down at the little bundle as it lay on its side. Off in</p>
<p>the<br />
distance I heard the woman calling for me to follow, that the patron<br />
saint of</p>
<p>midwives was waiting. But what was this package lying silent<br />
and motionless at my</p>
<p>feet? From a neighboring building I heard the<br />
sounds of a woman grieving. What was</p>
<p>inside the cocoon the she-beggar<br />
had been coddling within her lap? I reached down</p>
<p>towards the bedding<br />
of cloth thinking to find an opening.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Then<br />
I remembered</p>
<p>Gabriel&#8217;s grip upon my arm and the words he had spoken.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;No<br />
Mon, you no want</p>
<p>to do that. That be the veil between worlds. You<br />
reach through there and things never</p>
<p>be the same. Never.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>I<br />
pulled my hand away. Maybe it was better not to know</p>
<p>what, if<br />
anything, lay within the bundle. Listening for the beggar woman&#8217;s<br />
voice I</p>
<p>followed in the direction she had gone. Not far from the<br />
Marquis de Sade I spied a</p>
<p>feminine form slouching within a doorway.<br />
Breathless from running I made my to the</p>
<p>doorway only to find it<br />
occupied not by the beggar but by Magda, the barmaid from</p>
<p>the<br />
Marquis. She was talking on her mobile phone when I stumbled in and<br />
nearly</p>
<p>collapsed on her.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Oh<br />
hey. What&#8217;s up with you Thomas?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
shook my head,</p>
<p>trying to catch my breath, pushing everything away in<br />
the you-don&#8217;t-even-want-to ask</p>
<p>motion.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>She<br />
said something into the phone and laughed with whatever was said</p>
<p>in<br />
reply. </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Look,<br />
um Magda, have you seen ?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>Words<br />
failed me.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Thomas,<br />
who is it are you looking for?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
just stared at her</p>
<p>for a minute and then glanced back the way I had<br />
come, back towards where the bundle</p>
<p>lay abandoned. Then I raised my<br />
hands in submission.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;I&#8217;m<br />
looking for the</p>
<p>Black Madonna.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>Magda<br />
looked at me with growing realization animating her gorgeous</p>
<p>little<br />
nineteen year old face.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Oh<br />
wow, Thomas, I didn&#8217;t know that was</p>
<p>your scene.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Does<br />
that surprise you?&#8221;</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;No,&#8221;<br />
she answered</p>
<p>after a moments pause. &#8220;Really it explains a lot of<br />
things about you that I just</p>
<p>couldn&#8217;t figure out before.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>She<br />
ended one call and began another. I heard her say</p>
<p>the words ?erna<br />
madonna and then she finished the call.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Come<br />
on, its all</p>
<p>arranged. I&#8217;m taking you to her.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>She<br />
led me down a side street to a herna</p>
<p>with huge plate window. Behind<br />
the window the eyes of the clientele roved the streets</p>
<p>on the lookout<br />
for a figure of authority which apparently I wasn&#8217;t, because</p>
<p>they<br />
gave my approach no more than the quickest of glances. Once inside<br />
Magda,</p>
<p>sweet blonde little Magda, handed me over to a thickset<br />
swarthy gentleman with busy</p>
<p>hands.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;She<br />
say you look for Black Madonna. This true?</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>I<br />
nodded, afraid that</p>
<p>saying too much would spoil whatever arrangements<br />
Magda had</p>
<p>made.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>He<br />
smiled and pulled a joint out of a pack of</p>
<p>cigarettes.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;Here,<br />
smoke this, won&#8217;t need more than a</p>
<p>little.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;No,<br />
I&#8217;m fine.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;You<br />
say you look for Black Madonna but</p>
<p>won&#8217;t smoke. Maybe I think you are<br />
policie. American are you? DEA,</p>
<p>yes?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;No.<br />
Look, all right I&#8217;ll smoke. There isn&#8217;t any tobacco in it, is</p>
<p>there?<br />
I can&#8217;t smoke tobacco.&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;No<br />
tobacco. I make it special American</p>
<p>style.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>I<br />
took a deep toke. No tobacco, but there was something. Something</p>
<p>like<br />
black tar with the taste of graveyard dirt.</font></font></p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Phooey!<br />
Take this</p>
<p>shit. I&#8217;ve gotta ?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>I<br />
had to get out of there. Out through the door, away</p>
<p>from the plate<br />
glass aquarium where bug-eyed fish tracked my progress unperturbed</p>
<p>at<br />
my flight. I came to rest on a bench in a tiny park boxed in on three<br />
sides by</p>
<p>the walls of neighboring buildings.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>I<br />
spewed my lunch of three borrowed beers.</p>
<p>After wiping my mouth with a<br />
paper tissue I tried shoving the package of tissues back</p>
<p>into my<br />
pocket when it suddenly seemed like way too much trouble. Instead I<br />
let the</p>
<p>package fall gently unhurriedly to the ground. That was when<br />
I noticed the beggar</p>
<p>woman standing in the shadows. And then I saw<br />
the face beneath her shawl, an oval face</p>
<p>of sculpted oak, as she<br />
stepped forward and gathered me within her wooden</p>
<p>arms.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>Her<br />
embrace was sweeter than life. No pain, no turmoil. Pure eternal<br />
peace.</p>
<p>I submitted to her gentle ministrations as she pressed me to<br />
her breast, her teat</p>
<p>worming its way into my mouth. Soothing liquid<br />
flowed into my mouth as she folded her</p>
<p>arms around me. This was<br />
bliss, this suspension within the mass of my mother&#8217;s flesh,</p>
<p>this<br />
encapsulation, this entombment. I drank at the flow of liquid that<br />
first</p>
<p>slowed to a trickle before it thickened and turned to dust. I<br />
tried to force the teat</p>
<p>from my mouth but what was the point? Was<br />
this not but the fulfillment of the love of</p>
<p>a mother for its child? </font></font>
</p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>My<br />
soul, now purged of sin, should have been free from</p>
<p>the fires of<br />
damnation. Yet fires still raged, stoked high by sour winds</p>
<p>howling<br />
down the spongy corridors of my fibrillating lungs. A wall of<br />
pressure</p>
<p>drove gritty sand into the swollen tissue of my throat. </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Breathe!<br />
Mon, you no</p>
<p>start to breathe you damn us all!&#8221;</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>Intruding<br />
fingers pulled funeral gauze from</p>
<p>my mouth. Then one empty chasm<br />
docked with another. Warm fetid air flowed into my</p>
<p>shrunken lungs,<br />
gagging me. I coughed out centuries of dust, my head pounding</p>
<p>in<br />
agony with the thrashing of my heart. And then I found myself on the<br />
ground with</p>
<p>Gabriel kneeling above me.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;That<br />
black bitch almost drag you down. Toma??, I</p>
<p>tell you to<br />
stay out of this business. But no, you always must to touch</p>
<p>the<br />
wound.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>I<br />
looked around the park but the Madonna was</p>
<p>gone.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Where<br />
is she?&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>&#8220;Underground,<br />
where she</p>
<p>belong.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>&#8220;He&#8217;s<br />
her child now. The Whore&#8217;s given birth. The sequence has</p>
<p>begun.&#8221;<br />
The voice was familiar and I could just barely make out the shape</p>
<p>of<br />
Lewiston sitting on the bench in the shadows. Still talking crazy. He<br />
pulled an</p>
<p>envelope out of his jacket pocket.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>&#8220;Here<br />
detective. As per our</p>
<p>agreement.&#8221;</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier</p>
<p>New"><font SIZE=2>I<br />
dragged myself up onto the bench beside him, took the envelope</p>
<p>and<br />
pocketed it. Right then more than anything else, I needed a beer. My<br />
own glass</p>
<p>of  nice cold fresh from the tap Czech beer. Thankfully the<br />
Marquis de Sade was less</p>
<p>than 50 meters away and open till two.</font></font></p>
<p STYLE="margin-bottom:</p>
<p>0in"><font FACE="Courier New"><font SIZE=2>But<br />
first I had to know.</p>
<p></font></font>
</p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;You<br />
never really were looking for her, were you?&#8221; I asked as I<br />
reached for</p>
<p>the collar of his jacket.</font></font></p>
<p STYLE="margin-bottom: 0in"><font</p>
<p>FACE="Courier New"><font SIZE=2>Kyle<br />
effortlessly brushed my hand</p>
<p>away.</font></font></p>
<p STYLE="margin-bottom: 0in"><font FACE="Courier New"><font</p>
<p>SIZE=2>&#8220;Don&#8217;t<br />
be a fool, I was sent here to find you by the Prieur? de Sion.<br />
You</p>
<p>can&#8217;t hide from who you are. Not anymore.&#8221; </font></font>
</p>
<p</p>
<p>STYLE="margin-bottom: 0in"><font FACE="Courier New"><font SIZE=2>&#8220;Look,<br />
I got no</p>
<p>problem with taking your money, but at the same time,<br />
irregardless of whatever crazy</p>
<p>thoughts you might be entertaining,<br />
I&#8217;m a nobody. Just a third rate drunk living in</p>
<p>exile. That&#8217;s all I<br />
am and all I&#8217;ll ever be.&#8221; And having said so I set out to</p>
<p>prove<br />
myself right.</font></font></p>
<p STYLE="margin-bottom: 0in">
</p></p>
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